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“That wasn’t my inspiration,” he told BFM TV. “I think it was pretty clear. There’s Dionysus who arrives at the table … Why is he there? Because he’s the god of feasting, of wine, and the father of Sequana, the goddess of the River Seine.” link
originally posted by: grey580
a reply to: TheSingleBillie
But keep playing the victim?
In the pagan mindset, the limestone cave at Caesarea Philippi was literally a gate to the underworld, where fertility gods spent the winter. Here at the tenemos (shrine precinct) facing a series of marble temples and niches for pagan idols, worshippers engaged in ritual prostitution and bestiality with goats in the belief that those sexual relations would entice the return of Pan in the spring.
Caesarea Philippi was infamous for its ritual sex.
The Temple of Pan had been built there (Gates of Hell) a few hundred years earlier, and when people came to worship Pan, they would bring with them an infant child to be offered as a sacrifice. The child was thrown into the water that flowed from the rock on the side of the cliff. If the child went under the water and disappeared, that meant Pan had accepted their sacrifice. If instead, the child’s was dashed apart under water and its blood flowed into the river below, Pan had rejected their sacrifice. Either way, the child’s life was over.
originally posted by: Terpene
a reply to: TruthJava
The bigger picture tells me that Christians are loosing grip with reality...
originally posted by: grey580
a reply to: TheSingleBillie
the guy behind the show said that it was not. People have also gone in and debunked that it was the last supper.
So I don't know.
apnews.com...
PARIS (AP) — Paris Olympics organizers apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci’s “The Last Supper” during the glamorous opening ceremony, but defended the concept behind it Sunday.
Mr. Jolly said on Sunday that he had not been inspired by “The Last Supper.”
“It is Dionysus who arrives at the table,” Mr. Jolly said in a television interview with the French media outlet BFMTV. Dionysus is the Greek god of festivities and wine, and is the father of Sequana, the goddess of the Seine River, he said. “The idea was instead to have a grand pagan festival connected to the gods of Olympus, Olympism,” he added.
originally posted by: grey580
a reply to: TheSingleBillie
Here's right from the creators mouth. Stop playing the victim.
Mr. Jolly said on Sunday that he had not been inspired by “The Last Supper.”
“It is Dionysus who arrives at the table,” Mr. Jolly said in a television interview with the French media outlet BFMTV. Dionysus is the Greek god of festivities and wine, and is the father of Sequana, the goddess of the Seine River, he said. “The idea was instead to have a grand pagan festival connected to the gods of Olympus, Olympism,” he added.
www.nytimes.com...
Thomas Jolly's response: "It's not my inspiration (the Christian Last Supper). There is Dionysus (Philippe Katerine painted in blue) who arrives on this table. He is there because he is the God of celebration in Greek mythology. The god of wine who is one of the jewels of France. And the father of Sequana, the goddess who is connected to the river, the Seine. The idea was to have a pagan celebration connected to the gods of Olympus. You will never find in me a desire to mock and denigrate anyone. I wanted to make a ceremony that repairs, that reconciles. And also that reaffirms the values of our Republic, liberty-equality-fraternity." And the director regrets: "On the other hand, if we use our work to regenerate behind this moment of union again division, hatred while it continues to progress, then that would be a great shame."
originally posted by: grey580
a reply to: TheSingleBillie
If you want to ignore guy who's mind the idea for this sprang from. Be my guest. What does he know. He only created the show. Just ignore him. Keep those blinders on. You want to be offended. So be my guest and be offended. The truth be damned.
Thomas Jolly's response: "It's not my inspiration (the Christian Last Supper). There is Dionysus (Philippe Katerine painted in blue) who arrives on this table. He is there because he is the God of celebration in Greek mythology. The god of wine who is one of the jewels of France. And the father of Sequana, the goddess who is connected to the river, the Seine. The idea was to have a pagan celebration connected to the gods of Olympus. You will never find in me a desire to mock and denigrate anyone. I wanted to make a ceremony that repairs, that reconciles. And also that reaffirms the values of our Republic, liberty-equality-fraternity." And the director regrets: "On the other hand, if we use our work to regenerate behind this moment of union again division, hatred while it continues to progress, then that would be a great shame."
rmcsport.bfmtv.com... 202407280144.html