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originally posted by: cooperton
Then why are NASA engineers and astronauts struggling to figure out how to get new technology through this region?
Imagine 50 years after Columbus, and the European boat-builders all of a sudden can't make a vessel that can bring humans to America. It's an absurd thought, but that's what's happening with getting humans past low earth orbit
originally posted by: Ove38
No, this is what the say about parallel and non-parallel shadows. They understand it perfectly.
At 2:49:27 youtu.be...
originally posted by: Grenade
a reply to: ArMaP
www.bitchute.com...
The first couple of minutes raises some questions.
This is a clear chroma key glitch at around 2:45 in this video:
originally posted by: OneBigMonkeyToo
Moon hoaxers have problems with thinking in three dimensions. The shadow lines make much more sense when when you follow them back to the light source, which is clearly some distance away. those lines match exactly with the rays produced by the camera lens.
A nearby light source would create very different shadows.
originally posted by: OneBigMonkeyToo
a reply to: Ove38
Saying it don't make it so.
It's a genuine hasselblad image with genuine cross hairs. Your claim it's cut out from a bigger image is as unfounded as it is false. Prove otherwise.
You can see it as part of a series of pictures forming a large panorama in my copy of this National Geographic magazine:
file:///D:/obm/ephemera/site/ngeo/ngeo_ap14a.pdf
The duplicated reseau marks in the second photo are a product of ibternal reflections from the lens. You can draw lines through them and it will trace back to the source - the sun in the image.
originally posted by: Ove38
The big picture, the real image was taken with the light source right in front of the camera. That's why the shadows diverge.
originally posted by: Box of Rain
originally posted by: Ove38
The big picture, the real image was taken with the light source right in front of the camera. That's why the shadows diverge.
You mean like these images with the sun in front and shadows in perspective: