In 2017, I watched the documentary series on YouTube called ‘Discourses on an Alien Sky’ by David Talbott and discovered that the iconography
presented in that documentary parallels symbolism in our culture today. The documentary series explains that there was a celestial event thousands of
years ago that all cultures around the world witnessed and documented. The celestial event involved three planets, namely Saturn, Venus and Mars, and
they aligned overhead Earth and were stationary in the sky. Their alignment formed an 8-pointed star and Mars descended and formed a mountain to
Saturn which Talbott refers to as the “Cosmic Mountain”. In his book ‘The Saturn Myth’ David Talbott associates this celestial event with a
gateway. He says: “The god “comes out” and “goes on” on the [Saturnian] mountaintop through the “gate”, but he accomplishes this without
moving from his fixed abode”. David Talbott wrote his book ‘The Saturn Myth’ in the 1980s and the cover of his book shown below is what this
celestial alignment would have looked like.
Here is where things start getting crazy. In 1994 (14 years after Talbott published his book) there was a movie created called Stargate. The story of
the movie was based on a stargate being opened to another point in the universe. The design of the stargate device in the movie as well as the artwork
from the movie was clearly inspired by ‘The Saturn Myth’ as can be appreciated
here. The resemblance
is uncanny and certainly not an accident, especially in light of the fact that Talbott described the celestial event shown on the cover of his book as
a “gate”. The idea of Saturn being a gateway or stargate has become popularly known as the “Saturn Stargate” and was even talked about by
David Icke in his 2017 book. In the movie Stargate the gateway that they open leads to the god “Ra” and according to Talbott the god Ra was
identified as Saturn. Quote: “A Greek Ostracon, cited by the eminent classicist, Franz Boll, identifies the Egyptian deity Ra, not with our Sun, but
with Saturn”.
In his 2017 book, David Icke talks about how he believes how the ‘Saturn Stargate’ is linked to CERN. Quote: “I have said in previous books that
the Large Hadron Collider, the world’s most powerful particle accelerator at the European Organization for Nuclear Research (CERN) in Switzerland,
is in the process of creating portals into other realities. I say this includes a connection with Saturn through which energies and entities come into
our reality through a Saturn Stargate or portal to other dimensions”. This possibly has some real truth. I say this because according to Talbott the
celestial event that involved Saturn thousands of years ago became anthropomorphized and was represented by the god Atlas. The Saturn-crescent that
formed during the celestial event became the arms of Atlas. This is certainly interesting because CERN refers to their experiment at the Large Hadron
Collider as the “ATLAS EXPERIMENT” (below shows the celestial event that Talbott talks about compared to CERN and their ATLAS symbolism).
The celestial event involving Saturn also appears to be the basis for the design of the Vatican Courtyard, as shown
here. What’s even more interesting however is that there was a movie
based on CERN where a large part of the movie was filmed inside the Vatican Courtyard. The poster
here shows the movie which was based on CERN that
heavily featured the Vatican Courtyard. So, we have two instances of CERN (indirectly) using symbolism associated with the celestial event involving
Saturn. One with Atlas and the other with their CERN movie, both featured symbolism that’s associated with the celestial event talked about in
‘The Saturn Myth’. The idea that CERN is attempting to access a stargate or portal that’s associated with Saturn is not only talked about by
David Icke, but also by Anthony Patch, who states that CERN is trying to access a portal to Saturn. This all seems crazy, if it were not for the fact
that the director of CERN openly stated that they were trying to access gateways, saying: “The Large Hadron Collider at CERN could open a door to an
extra dimension and out of this door might come something, or we might send something through it”. CERN also displays what can only be described as
portal symbolism in their artwork, as shown below.
The idea that Saturn is a gateway (that CERN is attempting to access) has no doubt been the inspiration behind the TV references which explore the
same sort of themes. For example, in the movie Spider-Man: Into the Spider-Verse, a CERN-like particle collider can open portals to other dimensions.
The design of the particle collider in the movie Spider-Man: Into the Spider-Verse was actually inspired by the real-life CMS experiment at the Large
Hadron Collider. In the movie, the particle collider opens portals to other dimensions. In the TV series Steins Gate, through the means of Kerr
black-holes, the Large Hadron Collider at CERN (SERN) is used to travel in time, and in the movie Cloverfield: Paradox, a particle accelerator tears a
hole in the fabric of space and time, opening up a portal. In the video-game Shin Megami Tensei IV, a particle accelerator called Yamato Perpetual
Reactor opens portals to other worlds. In the popular TV series Mr Robot, there is a very overt CERN-reference. The CERN-like
machine in this TV series was inspired by the Large Hadron
Collider ATLAS detector. The machine in that link was created by the character Whiterose and is referred to as a “VLHC” (Very Large Hadron
Collider) and is associated with alternate dimensions.
edit on 15-12-2021 by Nathan-D because: (no reason given)