Have you ever heard someone say that? A song intro starts in radio, and someone reacts as if it's the greatest musical achievement of the whole
Universe.
Oh, you love this song? Then it must be something great! I now have the perfect right to expect twists and turns, unexpected structural changes,
interesting chords and unorthodox-and-yet-amazingly-good-sounding chord+bass-combinations (I actually experienced this recently, and I was in awe as
to how the composer had put the bass in 'wrong' place several times, that doesn't fit the chord at all, and should create awful 'discord' sound in the
ears, but yet it somehow works perfectly for the song, and because of the structure, it sounds marvellous - I could never do something like that!).
Perhaps there will be a touch of fusion jazz, progressive rock, some kind of inspired, interesting, inspiring, soul-caressing awesomeness - perhaps
some kind of 1980s energy combined with amazing synth instrument with unique-and-exciting-sweeps going on while a super-skilled player is blessing us
with aural marvel of the explorational and massively vast kind!
Your imagination goes wild, thinking of Mozart's best structures, the most complex classical techniques, violin prodigies playing Paganini really
fast, out-of-this-word drummers just unshamed to display their ridiculously admirable talents, skills and years of honed practice - there is going to
be a musical masterpiece of cosmic proportions, and your ears are finetuned in preparation to receive this magical marvel of musical masterpiece! Your
mind and brain sharpen their detection skills to be able to fully appreciate the complex, yet melodic - the structurally almost insane - and yet
completely sound, the energetically explosive, and yet euphoric aural art, and you almost stop breathing in anticipation for the most wonderful, the
most exciting, the most sublime experience of your whole lifetime - this is what you have been waiting for all your life, perhaps decades!
No amount of listening to 1970s progressive rock or the best classical music, the most amazing violin techniques, the most melodic and structurally
surprising 1980s new wave, pop, rock, or even at unorthodox and quirky things like genius-composed old computer musics can have prepared you for the
gourmet meal for your ears, the best possible song that can exist, bring it on, it's going to fulfill you in so many levels and layers, you will
probably become enlightened on the spot while levitating while astral projecting yourself out of this physical realm and live in a timeless limbo for
thousands of years in pure euphoria and bliss, you will..!!..
Oh.
It's a simple, crappy, modern pop rock song with three chords, lots of distorting heavy guitars, clichéic melody you've heard 900 000 times before,
and the most banal, pandering, stupid, misandristic lyrics you've ever heard. It's a typical, soulless factory production of the most mediocre
'best-selling' aural diarrhea, and from the first two seconds, you can sadly predict the whole song. The lyrics repeat, repeat, repeat the same thing
over and over - and that repeated thing is the stupidest, most over-used cliché trope anyone has ever used.
The lyrics repeat. They repeat.
The simple three-chord structure with two-note melody (that at one point dips to a third note - HOW IMPRESSIVE!) repeats.
The lyrics repeat. They repeat.
The simple three-chord structure with two-note melody (that at one point dips to a third note - HOW IMPRESSIVE!) repeats.
The lyrics repeat. They repeat.
The simple three-chord structure with two-note melody (that at one point dips to a third note - HOW IMPRESSIVE!) repeats.
Then the song goes to some kind of weird slow mode to bring another cliche for a few seconds, so the lyrics can finish the corny, cringy stupidity
they started with, what seems like an eternity ago. Your ears are actually bleeding from sheer pain, even though the volume is not particularly loud.
Ears are not particularly intelligent part of your body, but even they can't stand this much stupidity, and they try to escape your head.
The most astonishing thing .. OH, WAIT, THIS IS THE GOOD PART!!11
The lyrics repeat. They repeat.
The simple three-chord structure with two-note melody (that at one point dips to a third note - HOW IMPRESSIVE!) repeats.
The lyrics repeat. They repeat.
The simple three-chord structure with two-note melody (that at one point dips to a third note - HOW IMPRESSIVE!) repeats.
The lyrics repeat. They repeat.
The simple three-chord structure with two-note melody (that at one point dips to a third note - HOW IMPRESSIVE!) repeats.
You are ready to tear your hair out while jumping through the window of a four-story building, desperately searching for an escape. Your brain is
almost in a coma, trying to shut down so it could also escape in some way, but at the same time, you're trying to come up with an excuse - ANY excuse
will do - just to get out of the situation and the room. I have to go shoot my dog. My boss decided to do an intervention and I forgot I have to be
there. There's an extra shipment of chocolate bunnies coming in and I have to melt them so everyone can swim in them.
It's not even the song, or its simple, heard-it-all-before SO MANY TIMES-type stupidity. It's not even the nerve or gall of the stupid corporation
that decided we need another one of _THOSE_.
It's not even the establishment, radio channel, TV show or movie that decided, THAT is the song we should play.
It's that anyone, even a fictional character, can EVER say those words and yet mean the most ridiculously banal, anti-climactic, awful torture for not
only the ears, but for the soul, mind, and body. It's how anyone can make that kind of INSULT to music, to people who understand music even a little
but, to anyone that knows where music COULD go, but in the superficial fast-food-world, never dares go even near.
It's like you can imagine music going to really cool and interesting places not traversed by many, a song could perform awesome twists and turns and
structural changes, it could feel like an explorational adventure into the most euphoric and cosmic proportions, but because 'money' and 'stupid
people', what passes as 'music', and is 'beloved by many' - especially the MOST successful music of these times, is just something that Mozart
wouldn't even fart at, because it would be an insult to the fart.
What the F is wrong with people?
I have so many things to rant about, and this is on the lighter side, but hey, even a grumpy visitor has to sometimes take a vacation.
By the way, did I mention the song REPEATS?!
By the way, did I mention the song REPEATS?!
By the way, did I mention the song REPEATS?!
Look, how stupid it looks when someone repeats things in text. This post looks probably really annoying and cringy as the result. I just wanted to
both experiment with it and show that it's JUST as stupid in music and songs, but somehow people don't seem to mind.
I never understood repetition in music, melodies, structure or lyrics. Why is it there? To program people because sub-conscious responds to
repetition?
I never liked it, I always hated it, and although I sometimes did it myself, especially when doing 'cover songs' of originals, and kind of 'succumbing
to the expectation' (and of course THOSE songs people rewarded me for, sigh), I don't ever want to do it again.
I know there are only twelve notes, but..
edit on 14-9-2021 by Shoujikina because: (no reason given)