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Welcome to the rejected, the unwanted, the despairing. The smell you smell is a blossom tree. The chill you feel is a cold breeze as you walk the streets alone at night. The emotion you feel is longing.
The voice you hear is Carly Rae Jepsen.
You might be reading this as a joke. Out of vague curiosity. You might’ve thought the person who claimed to have discovered a massive secret pattern in a popstar’s music was doing it ironically, or maybe just lost on a long hike up their own ass.
Welcome to you, too, the cynics and the disinvested. Come in, and find out, but first, a warning: “Lasciate ogne speranza, voi ch’intrate.”
The (Barely) Hidden Pattern Within Carly Rae Jepsen’s Entire Discography
A track-by-track investigation of Carly Rae Jepsen’s discography nakedly reveals an undeniable, axiomatic, rigid, all encompassing, over-arching and strictly limited set of repeating themes and sub-themes, which, when examined, and could be construed as telling in three parts one single story, from one specific moment in a person’s life, again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again...Sometimes, with the exact same words.
Imagine a world where The Beatles only sang about being a Paperback Writer. Imagine a world where the Rolling Stones only sang about having Sympathy For The Devil. Imagine a world where Beyonce only sang about being a Single Lady.
Imagine a world where pop artists each only chose to sing about one thing, or one story, and were somehow condemned to repeat that story endlessly again and again and again, in not only general theme, but in painful specifics, possibly recounting one incident from their own life, endlessly dramatizing each of its three acts, ad infinitum.
Now what if I told you I could prove that world existed, at least for one artist.
What if I told you, in the most sane, calm voice, making the most sane, calm face I could manifest onto the front of my head, that that artist was Canadian pop-star Carly Rae Jepsen.
Because that is what I’m telling you. I am telling you that.
And I can prove it.
I hope you’ll notice I didn’t say “argue.” I said “prove.” I can prove that Jepsen’s songs are connected. We’re going all the way here. This is not a half-measure.
We’ll be going to her unreleased first album. Her collaborations. Songs she’s chosen to cover. We’re doing pretty much everything.
Because only then will you understand the depth of the phenomenon I have uncovered. You cannot understand the scope of the ocean by standing on the beach. And you will, as the idiom goes, # bricks. And # more bricks. And by the end, we will together build a house in Canada, with those bricks, and live in it forever. So, Where to begin?