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Source: Strabo/Osirion
Above this city [Ptolemaïs] lies Abydus, where is the Memnonium, a royal building, which is a remarkable structure built of solid stone, and of the same workmanship as that which I ascribed to the Labyrinth, though not multiplex; and also a fountain which lies at a great depth, so that one descends to it down vaulted galleries made of monoliths of surprising size and workmanship.[4]
In time, more clues were discovered. Frankfort found the cartouche of Seti I in a granite dovetail joint. Another tenon bearing the king's cartouche was exposed when part of the sandstone wall blocks broke away (blocks that were once clad in granite), indicating its presence in the original construction. There are astronomical scenes, also made by Seti, on the ceiling of the northern transverse chamber. Other decorations were made by the king's grandson, Merenptah. Sandstone was used in the original construction (for central court wall-cladding and for the base of the island), a material used mainly beginning in the 11th Dynasty.
originally posted by: jeep3r
To make a long story short, either one of the two statements below must be true:
(1) Marc Lehner (et al.) were right all along and the ancicent Egyptians indeed invested lots of time, manpower and dedication into sawing countless granite blocks using handsaws and quartz sand. Additionally, they came up with the same or inriguingly similar stone working solutions as the megalithic builders in Peru and other places of the world.
OR
(2) There is something we overlooked, given the similarity in stone working and construction techniques seen in megalithic architecture all across the globe (e.g. Peru, Greece, Italy, Easter Island, Egypt). If that's indeed the case, then the poster of this video might really be on to something...
IMO the video discusses some of the many similarities that I've been pondering in previous threads as well, like the protrusions/knobs in some of the granite blocks (as in Cuzco, Sacsayhuaman) or the unusual shapes of some of the stones incl. precision fitting and unusual dimensions. I found this to be quite baffling and I'm wondering whether anybody else shares the view that the builders of these monuments might have been a global culture with a more advanced set of tools than we currently believe.
originally posted by: Harte
In time, more clues were discovered. Frankfort found the cartouche of Seti I in a granite dovetail joint. Another tenon bearing the king's cartouche was exposed when part of the sandstone wall blocks broke away (blocks that were once clad in granite), indicating its presence in the original construction. There are astronomical scenes, also made by Seti, on the ceiling of the northern transverse chamber. Other decorations were made by the king's grandson, Merenptah. Sandstone was used in the original construction (for central court wall-cladding and for the base of the island), a material used mainly beginning in the 11th Dynasty.
Source
Harte
originally posted by: Byrd
So how do you respond to these points:
* there are thousands of Egyptian temples and tombs older than this that show the same types of stonework (many pyramids, for example, have that gabled roof you showed a photo of.) Why do you think they forgot how to make stone gables?
* The Egyptians had been working stone for around 2,000 years at the time of the Osireion and built thousands of temples, including the great Temple at Karnak, built during the same time period (New Kingdom) and covering over 240 acres How do you explain large stone temples like Karnak?
* Peruvian stones are fitted nicely only on the front but not so well behind - while Egyptian stones are regular blocks and fit well on all sides. If they learned the technique from one another wouldn't either the Peruvians have made block stones or the Egyptians made stones that were not regular in size and shape and fitted badly on the back?
* Both cultures made structures out of granite. You seem to be comparing structures that are made of different types of stone. Shouldn't you be comparing like with like?
* if a culture learned things from a literate culture, why didn't they learn their alphabet and measuring system? Shouldn't the Peruvians be using hieroglyphic script and measuring in Egyptian units... or vice-versa?
* how could Easter Island have learned these techniques over a thousand years after the Osireion was constructed? Wouldn't they have come up with new techniques by then? And why do you think the relatively crude statues of Easter Island compare to the monumental statues of Egypt?
originally posted by: jeep3r
An example for this could be the megalithic platform at Vinapu on Easter Island, which I have referenced in an earlier thread here.
originally posted by: ThatHappened
To suppose that today modern man could replicate and duplicate and fashion
even 3, 60 ton granite blocks, perfectly smooth and level on all sides,
along a height of 12 feet, fitting with roof beams of giant granite blocks,
with the sides, tops and bottoms fitting so precisely together a human hair
could not fit inside the joints, is not reasonable. Why would the ancient
stone-builders use the megaliths in construction if it were not easy and
efficient for them? If we try to do what they did would be expensive and
time consuming and by any method, inefficient.
a reply to: Byrd
originally posted by: ThatHappened
Back then no amount of money could buy the technology needed
to construct the Great Pyramid. This project is of great
difficulty one could imagine. The more men put on the job
the less work would get done.
originally posted by: ThatHappened
Nobody would expect them from back then, to have a crane to lift the
Baalbek stone of 800 tons or to construct the foundation stones of
the Temple of Jupiter.
originally posted by: Blue Shift
originally posted by: Byrd
The ancient structures were not easy; no easier than today's construction projects.
When you're building monuments to gods who could easily destroy you in multiple ways, it motivates you to do a good job.
originally posted by: SlapMonkey
a reply to: jeep3r
. What I like about him is that he like to read and quote from books and writings about these ancient structures that existed before the Ministry of State of Antiques was created and people like Zahi Hawass distorted and perverted (IMO) the history of Ancient Egypt, along with (again, IMO) hiding many things that bring the "accepted" history into question.