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"Two ritual complexes were found here, it is far and high in the mountains, where it is not easy to get there." About 200 stone horsemen were found in the sanctuary, and their specificity is that sometimes not one person, but two, three or four people sit on a horse. That is, it is the embodiment of some mysteries and myths that are yet to be read: all these sculptures are voluminous, richly decorated with carvings, "Molodin said.
"It seems that everything has been known in India for a long time, but in fact, these things have been found for the first time." There is no publication on this, and the scientific community first learned about it. "The find shows that not everything is known to us on the planet. will have to be studied, "the scientist said.
Molodin said that according to the assessment of the head of the expedition Natalia Polosmak, the sculptures belong to the era of the early Middle Ages, that is, the beginning of our era. This is indicated by the decoration of horses and other details. "But what kind of population is this is a big problem, because there was nothing like it in the iconography in India before, it's some kind of population that suddenly appeared in the Himalayas, settled in hard-to-reach areas and left such a trace," expert.
"But what kind of population is this is a big problem, because there was nothing like it in the iconography in India before, it's some kind of population that suddenly appeared in the Himalayas, settled in hard-to-reach areas and left such a trace,"
In the summer of 2017, the Russian-Indian expedition, with the participation of specialists from the Institute of Archeology and Ethnography of the Siberian Branch of the RAS, worked in the Small Himalayas. In the mountains of Pir-Panjal, scientists found about two hundred stone sculptures of horsemen, plates with images of people and animals, stone pedestals and stone basins lined with stone slabs. Unique monuments were located directly on the surface of the earth. The fact that they were not discovered earlier is due to their location at an altitude of two thousand meters.
Statues of horses with two, three, and sometimes four horsemen executed with great care. The costume of warriors, their weapons, ornaments, horse equipment and harnesses amaze with an abundance of details, but the riders' faces are devoid of individuality: in each of them a generalized image of the warrior is transferred.
Himalayan sculptures reminded archaeologists of portraits found on Ephthalite coins: for this people are characterized by large features, a large long straight nose and a flat cut neck. The latter feature can be associated with the traditions of skull deformation adopted by a number of ancient tribes. Large round earrings in the ears of the riders also bring them closer to some images of Ephtalit rulers minted on coins.
The Hephthalites (or Ephthalites) were a people of Central Asia who were militarily important circa 450-560. They were based in Bactria and expanded east to the Tarim Basin, west to Sogdia and south through Afghanistan to northern India. They were a tribal confederation and included both nomadic and urban, settled communities. They were part of the four major "Hunic" states known collectively as Xionites or "Hunas", being preceeded by the Kidarites, and succeeded by the Alchon Huns and lastly the Nezak Huns. The Sveta Huna or White Huns who invaded northern India are probably the Ephthalites, but the exact relation is not clear.
The stronghold of the Hephthalites was Tokharistan on the northern slopes of the Hindu Kush, in what is present-day northeastern Afghanistan. By 479, the Hephthalites had conquered Sogdia and driven the Kidarites westwards, and by 493 they had captured parts of present-day Dzungaria and the Tarim Basin in what is now Northwest China. They expanded into northwestern India as well.[6]
The sources for Hepthalite history are poor and historians' opinions differ. There is no king-list and historians are not sure how they arose or what language they spoke.
The origin of the name "Hephthalites" is unknown, but it may have come from a Khotanese word Hitala, itself borrowed from Uigur, meaning "Strong"
originally posted by: SlapMonkey
a reply to: theantediluvian
I can't access the link right now (network restrictions), but this looks really interesting.
It's hard to tell from the two images that you embedded, but am I the only one that gets a Mayan feel in the way that those horses are decorated?
originally posted by: SlapMonkey
a reply to: theantediluvian
I can't access the link right now (network restrictions), but this looks really interesting.
It's hard to tell from the two images that you embedded, but am I the only one that gets a Mayan feel in the way that those horses are decorated?
originally posted by: SlapMonkey
It's hard to tell from the two images that you embedded, but am I the only one that gets a Mayan feel in the way that those horses are decorated?
originally posted by: theantediluvian
The stage thing has me thinking though. It looks like it's supposed to depict an event. My first thought was maybe it was commemorating a battle but that doesn't really add up either. 3-4 riders per horse?
I take your points and they make sense despite my reservations. There's weathering there and yet no bird poo or lichens and we might expect five centuries plus to show more wind/water erosion.
originally posted by: SlapMonkey
a reply to: fromtheskydown
Yeah, or Pictish artwork.