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Though the bowl was already full, Cagliostro took it out of my hands, added some more plaster of Paris, and pressed it firmly with his hands. Then he gave it back to me to dry it over a charcoal fire.
The bowl was now placed in a bed of ashes over the wind furnace. The fire was lit and the bowl left over it for half an hour. It was then taken out with a pair of tongs and carried into the lodge. The bowl was there broken, and in the bottom lay a lump of silver weighing fourteen ounces and a half.
A golden medallion from the reign of Leopold I has been preserved which is supposed to have been transmuted from silver into gold using a tincture – in the presence of the Emperor. Another commemorative medallion has an inscription indicating that it was transmuted from lead into silver. They were apparently the result of experiments in alchemy carried out by Johann Joachim Becher, imperial counsellor and one of the three major economists of the seventeenth century – all of whom were, significantly, also alchemists. Becher was even made a kind of advisor in alchemical matters to the imperial Court under Leopold I. Among other things, he tried to transmute sand into gold
Some scholars also traced the birth of alchemy back to Bolos of Mendes, who was formerly seen as the forerunner of Greek alchemical inquiry as well as a proponent of Greek philosophy and of the theory of the cosmic sympathy more specifically
Zosimus of Panopolis spoke of transmutation simply as a way to illustrate the paradox of the unity of matter.
It is possible, however, that he conceived of transmutation theoretically, but no explicit references to this concept survive in his writings
Modern reconstructions of the ancient general theory of transmutation usually correspond to one of the following options:
1.
A cosmic sympathy theory, obtained by focusing on mentions of and allusions to the intimate connection
between natural substances (most notably in the Physica et Mystica)
According to this theory, certain substances were thought to interact naturally with each other in surprising ways. Transmutation would have consisted in knowing which combination could bring the desired result.
2.
A maturation theory, assuming that alchemical writers were particularly influenced by the last part of the
Meterologica
book 3, which explained the creation of metals and non-fusible minerals inside the earth through the burning and condensing of dry and humid exhalations. According to the maturation theory, all metals were made of the same substance; differences between species of metals were due to the fact that different pockets of humid exhalations had reached different levels of maturation inside the earth
Still according to this reading, alchemical writers considered the purest metal, gold, to have been also the oldest and the most mature form of the same metallic substrate that constituted all other metals. Alchemists would have considered transmutation to be the process by which the alchemical apparatus, like the earth or like the womb, cooked base metals until they reached their mature state, i.e. gold.
3.
A form-transfer theory, based on Aristotles hylomorphic theory, which accounts for all observable substances and for their alteration by stating that all physical objects are composites of form and matter. Material change, in this theory, is the addition of form to matter or its subtraction thereof. Modern descriptions of the form-transfer theory focus on references to an hypostatic body and references to qualities
of gold, also called vapours
pneuma or soul, i.e. the form of gold that would have been injected into the hypostatic body an undifferentiated substrate so as to obtain gold.
" Phoenix having given its father sepulture on the Altar of the Sun , it was feared that the ashes would be distributed to them whereby a epoch would arise where the regeneration of the royal succession would become enfeebled. It is thus that the Greeks stigmatised the cruelty of Busiris in the well–known histories, owning that he immolated foreigners to Jupiter, whereas he was in reality king and philosopher in one, and well versed in such arcana, although it is true that he would not suffer foreigners to have access to his realms for certain and sufficient reason, and because the Egyptians were most certainly in no need of either their goods or merchandise "
“It could not be more certain that what the Egyptians understood by the bird Phœnix was the tincturing of gold, and that never, either at the time of Tacitus, before it, or after, with the exception of the time of Morienus"
Somehow I believe this is related to your post
Three metal dreams of metal transmutation
In the first of which it is the false sophistication of change, in the second of the practical use of the actual routine, in the third of divine transmutation called the true philosophical one: recollect the philosophers' concordance, and their prattica ...: with a copious index for each Dreams of the authors, and of the work are above this
Nazari, Giovanni Battista [16.Jht]; Marchetti.
In Brescia: Peter Pietro Maria Marchetti, MDXCIX [1599]
Ok so can you give me the story in laymans terms? Some of your links are not working, btw.
originally posted by: kibric
a reply to: Naturallywired
its the Hermaphrodite or Old Dragon
displayed at the bottom of my post
The Hermaphrodite or Old Dragon an allegory
for a stage in the development of the Philosophers Stone
Somehow I believe this is related to your post
it is
its an alchemical manuscript
Three metal dreams of metal transmutation
translate.google.co.uk...://www.e-rara.ch/search%3Foperation%3DsearchRetrieve%26query%3D(vl.printer-publisher%253D%2 522appresso%2520Pietro%2520Maria%2520Marchetti%2522)%2520and%2520vl.domain%253Derara%2520sortBy%2520dc.title%252Fasc&prev=search
originally posted by: kibric
Some stories on Transmutation
originally posted by: kibric
a reply to: namelesss
with all due respect
I don't agree
it is not a metaphor
but I welcome your insight
thanks
I didn't say my Perspective is the ONLY Perspective, so your defensive dismissal seems a bit premature
Not defensive?
originally posted by: kibric
a reply to: namelesss
I didn't say my Perspective is the ONLY Perspective, so your defensive dismissal seems a bit premature
I just don't agree out of experience
its not defensive
I think you have a valid view point
but from my experience/knowledge the Philosophers stone is physical
from yours its not
thank you for sharing you experience/knowledge
You seem to be tripping all over yourself trying to avoid a discussion, an examination of Perspectives
You intrigue me with your claim of actual experience with the physical stone.
originally posted by: kibric
a reply to: namelesss
examine away
I simply said I don't agree that its metaphor
You intrigue me with your claim of actual experience with the physical stone.
and proclaimed my experience/Knowledge 'incorrect'.
I just don't agree out of experience
I think you have a valid view point
Fulcanelli said to Bergier "The secret of alchemy is this: there is a way of manipulating matter and energy so as to produce what modern scientists call 'a field of force'. This field acts on the observer and put him in a privileged position vis-a-vis the Universe. From this position, he has an access to the realities which are ordinarily hidden from us by time and space, matter and energy. This is what we call 'The Great Work'."
I did not ask of your experience/Knowledge of internet pictures and medieval drawings.
experience/Knowledge of a literal existence (beyond internet pictures and medieval drawings) Philosopher's Stone
originally posted by: kibric
a reply to: namelesss
I just don't agree out of experience
is not proclaiming anything
I politely disagreed
I even said
I think you have a valid view point
"The secret of alchemy is this: there is a way of manipulating matter and energy...
the top one is literally My Stone
in existence on my shelf
it took practical experience/Knowledge to make it
originally posted by: dffrntkndfnml
a reply to: namelesss
There is much discussion about the Art being a more literal process or a philosophical one.Couldn't it be both?
Alchemy isn't one of my strengths, though the information I've come across seems to suggest that success forming different stones serves as a reflection of the aspirants progress along the Great Work.
originally posted by: BigBrotherDarkness
a reply to: namelesss
Hanging out at cremation grounds taking jewelry off the dead or placing fakes that people are supposed to be buried in or are lifted off of them after the funeral is one way to get gold out of "dross" or cast offs...
Horrible and deplorable of course... but that has not ever stopped the practice from occurring, grave/tomb robbers go back to antiquity.