It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
originally posted by: SlapMonkey
a reply to: Harte
Look, my comments are based in my own experience sculpting with different rocks (but mainly really soft ones, like alabaster), so I get the progression from a raw piece of rock to a finished, glass-smooth surface.
If these are to be believed as the first step in removing material (which it seems that this is the case...these were the tools used to remove rock and create the rough shape), the what you just described to me makes zero sense, both in process and in efficiency. When you look at the scallop shapes, they appear as though they are a cross section of a cylinder--as if you could lie a cylinder of the same circumference and length into the scallop and it would rest comfortably.
originally posted by: Astyanax
a reply to: jeep3r
So I'm afraid there is no way ancient monumental blocks could have been levitated into place. You may argue all you please with archaeology, but you can't argue with physics.
originally posted by: Astyanax
a reply to: jeep3r
You mean you think they shaped and smoothed stone blocks with sound?
Get out of here. At least acoustic levitation is a physical reality.
originally posted by: jeep3r
a reply to: Marduk
I'm not disputing that AE's were using stone balls to shape some of their artwork, but did they create those particular patterns in Aswan with diorite balls? I'm not so sure and one would think they'd have pounded away those edges, for sure.
Creating those squar'ish patterns via pounding alone would require doing it in the same spot by each worker. But that doesn't really make sense IMO if you can get rid of the bevelled edges in the same process without much extra effort. That would probably also make it easier to do the finer work and polishing of the surface afterwards.
originally posted by: jeep3r
a reply to: Marduk
I'm not disputing that AE's were using stone balls to shape some of their artwork, but did they create those particular patterns in Aswan with diorite balls? I'm not so sure and one would think they'd have pounded away those edges, for sure.
Creating those squar'ish patterns via pounding alone would require doing it in the same spot by each worker. But that doesn't really make sense IMO if you can get rid of the bevelled edges in the same process without much extra effort. That would probably also make it easier to do the finer work and polishing of the surface afterwards.
originally posted by: jeep3r
originally posted by: Astyanax
a reply to: jeep3r
You mean you think they shaped and smoothed stone blocks with sound?
Get out of here. At least acoustic levitation is a physical reality.
I wouldn't jump to conclusions yet as to "how" they did it, but IMO we have two problems with the quarry marks:
1. They are not consistent with the pounding-theory (and dolorite balls won't help us here)
2. They are highly indicative of vibration-induced interference patterns as demonstrated in this thread
originally posted by: fotsyfots
ONLY dudes whom know FOR CERTAINTY what happened, are the chaps physically there at the time..
originally posted by: Byrd
However, these patterns don't appear in a nice contained area and they change with distance from the sound source. Furthermore, they only appear in fluids or powders; not on solid surfaces.
originally posted by: jeep3r
Perhaps this is something for Joseph Davidovits to look into?
originally posted by: Marduk
I don't think he will be interested, he tends to require evidence over delusion. So far you have ignored all the overwhelming evidence against an idea which is nonsense which you came up with before you saw the evidence from a culture you have demonstrated that you know nothing about...
originally posted by: jeep3r
originally posted by: Byrd
However, these patterns don't appear in a nice contained area and they change with distance from the sound source. Furthermore, they only appear in fluids or powders; not on solid surfaces.
IMO it's not inconceivable that these interference patterns, under controlled circumstances, could be confined to a certain area. And yes, it would require the substance to be in a fluid state. If distance, amplitudes and reflections are more or less constant you would get a pretty consistent grid-like pattern incl. the typical dimples and bevelled edges.
Chinese singing bowls, for example, create this kind of pattern in a confined area when resonating (via rubbing the handles or hitting the bowl with a mallet). Note the pattern in the area around the center:
originally posted by: Marduk
a reply to: rounda
So in other words, you aren't ready to criticise the radiocarbon dating which proves the Egyptians built all the pyramids
yup, that's what I thought
originally posted by: rounda
So the carbon-dated 4th dynasty tomb pyramids are accurately dated, but the only human remains found in them to give credence to the tomb theory doesn't match the timeline, using the same carbon dating?
You're just #ing with me, right? You can't possibly believe what you're arguing, can you?
If the story don't add up, and you have to use a method of dating to corroborate the story, which coincidentally, can only measure the time as far back as *gasp* when they claim the pyramids were built... with only a 60% chance of being "accurate"... then you must accept the extreme possibility their explanation is, oh my goodness, wrong.
originally posted by: burgerbuddy
I'll believe they pounded out all that stuff, moved and polished it when I see it done, real time, accurate and actual size.
Would really like to see how they got one of them big ass obelisks out of the ground.
originally posted by: Marduk
probably a good idea to actually read the threads you post in before you post, that way you don't get to announce that you have decided on something before you saw the actual evidence contained therein. The OP was bs, a lot of the replies were not.
originally posted by: jeep3r
originally posted by: Marduk
probably a good idea to actually read the threads you post in before you post, that way you don't get to announce that you have decided on something before you saw the actual evidence contained therein. The OP was bs, a lot of the replies were not.
The OP illustrates a problem with the quarry marks and the arguments posted up to now don't resolve this problem IMO. Call it what you like, but the debate is still up regarding the process that caused the specific topology of the granite surface shown in the OP. I don't see this as being the result of pounding using dolorite balls for reasons mentioned many times in this thread.
originally posted by: jeep3rApart from that, I think there's also another area somewhere with similar marks, where an obelisk was fully extracted. Would be great if someone could provide some imagery of this particular site, I think there has even been a project that made laser scans of the area. It would be interesting to compare both sites and their specific marks, especially the bottom of the trench where the obelisk was separated from the bedrock.
originally posted by: jeep3r
the debate is still up regarding the process that caused the specific topology of the granite surface shown in the OP..