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By the by, I would certainly be happy to pay to read the rest. Having paid for some of the crappity crap I have read on Kindle Unlimited, I would gladly give you the $3.99 instead!
Send it to one of those alt book publishers, FERAL HOUSE OR TRINE DAY and there are many more that would jump on this
One idea is to have the subject of the book be on a more comprehensive history of alt theories about EWS or just extend the theme you have here
originally posted by: lakespirit
Great post OP, I am an admirer of Kubrick's films, and the complex messages they contain. You might want to be aware that the screenplay text that you link to in your "Part 2" has several key changes from the dialogue that appears in the film. Some of the changes may point to the most occulted and controversial bits of information that Kubrick tried to convey to future viewers. I will share one discrepancy here in this thread. In the screenplay that you link to, in the scene where Szavost is attempting to seduce Alice to "go upstairs' at the Ziegler's party, he mentions the host's collection of Impressionism. In the film, the line is changed to Renaissancebronzes, and a line about "adoring the period" is added. There is a specific reason why these lines are significant. The best analysis of this film that I have ever read was by syncromystic author Mark LeClair, who blogged under the name wrongwaywizard. His work has been scrubbed from the internet, which is a shame. There are other alterations in the script that can be found, these changes are gateways into a deeper understanding of Kubrick's messaging in EWS.
originally posted by: lakespirit
Okay, Cold Wisdom, I'm looking forward to your next installment. By any chance have you ever had a chance to read the analysis of EWS by LeClair, in particular the piece he wrote in 2008 called "Emporer's New Clothes"? It's hard to find, but its mind-expanding stuff. Sorry to have jumped the gun, I'm glad you're planning to address the script discrepancies. I'll be interested to see what you mean by Kubrick's actors "ad-libbing".
originally posted by: lakespirit
I'm aware that Kubrick allowed R. Lee Ermey (who played the drill instructor) to ad-lib about 50% of his dialogue in the film Full Metal Jacket, which was extremely rare for Kubrick, who was a notorious perfectionist.
He had actually been a marine drill instructor?
Parris Island.
How much of his part comes out of that experience?
I'd say fifty percent of Lee's dialogue, specifically the insult stuff, came from Lee. Source