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'It is obvious that the elements of geometrical ornament had some meaning,' stated Savchenko and Zhilin in explaining the Idol's ancient markings.
'The difficulty of interpretation is the polysemy symbolism of these symbols' - in other words, the possible multiple related meanings. According to ethnography, a straight line could denote land, or horizon - the boundary between earth and sky, water and sky, or the borderline between the worlds.
'A wavy line or zigzag symbolised the watery element, snake, lizard, or determined a certain border. In addition, the zigzag signaled danger, like a pike. Cross, rhombus, square, circle depicted the fire or the sun, and so on.'
Savchenko and other museum staff have postulated that among its purposes was that of an early map, or navigator. Straight lines, wave lines and arrows indicated ways of getting to the destination and the number of days for a journey, with waves meaning water path, straight lines meaning ravines, and arrows meaning hills, according to this theory which has yet to be fully researched.
Author Petr Zolin, citing scientific work by Savchenko and Zhilin, stated: 'The characters of Idol cannot have an unambiguous interpretation. If these are images of spirits that inhabited the human world in ancient times, the vertical position of figures (one above the other) probably relate to their hierarchy.
'Placing images on the front and back planes of the Idol, possibly indicate that they belong to different worlds. If there are depicted myths about the origin of humans and the world, the vertical arrangement of the images may reflect the sequence of events. Ornaments can be special signs which mark something as significant.'
The Idol reflects what these people looked like, with straight noses and high cheekbones.
originally posted by: nukedog
That face sure got around back in the day. There are other threads here I can link later.
originally posted by: intrptr
a reply to: theantediluvian
Maybe it was a sex doll, a sentry like the Terra cotta warriors from China? Maybe it was a statue of somebodies loved one that passed, a grave marker.
Maybe it was a God…nah, scratch that one.
originally posted by: Hanslune
originally posted by: nukedog
That face sure got around back in the day. There are other threads here I can link later.
When you're wood carver isn't up to 'world class' artistic standards you go for the basic model.
.
The meanings of the designs on totem poles are as varied as the cultures that make them. Totem poles may recount familiar legends, clan lineages, or notable events. Some poles celebrate cultural beliefs while others are mostly artistic. Certain types of totem poles are part of mortuary structures, and incorporate grave boxes with carved supporting poles, or recessed backs for grave boxes. Poles illustrate stories that commemorate historic persons, represent shamanic powers, or provide objects of public ridicule.
"Some of the figures on the poles constitute symbolic reminders of quarrels, murders, debts, and other unpleasant occurrences about which the Native Americans prefer to remain silent... The most widely known tales, like those of the exploits of Raven and of Kats who married the bear woman, are familiar to almost every native of the area. Carvings which symbolize these tales are sufficiently conventionalized to be readily recognizable even by persons whose lineage did not recount them as their own legendary history." (Reed 2003).
House front poles were meant to show the success of the families.
Totem poles were never objects of worship. Very early European explorers thought they were worshipped, but later explorers such as Jean-François de La Pérouse noted that totem poles were never treated reverently; they seemed only occasionally to generate allusions or illustrate stories, and were usually left to rot in place when people abandoned a village. The association with "idol worship" was an idea from local Christian missionaries of the nineteenth century, who considered their association with Shamanism as an occult practice.
originally posted by: signalfire
And a lot of the 'faces' look instead like penises - something any self-respecting wood carver has been proud to include in their human depictions for quite a while now.
That said, it's a wonderful find.
Similar structures Poles similar to totem poles are also found elsewhere in the world. Due to their similarities to totem poles, they are often described as being totem poles.[citation needed] Notable cultures with such example of having a totem pole-like objects are those by indigenous people of Jilin, northeast China; the Koreans; and the Māori, indigenous people of New Zealand. The Ainu of Japan have created totem-poles with Ainu motifs since admiring the traditions from Indigenous people of North America. Mundha is a one-piece decorative wooden pillar carved by a Madia Gond bridegroom in India after he is engaged. It is kept in front of the community dormitory (ghotul) during his marriage ceremony. The Madia Gond are residents of Bhamragad Taluka, of Gadchiroli District, of Maharashtra, India.[16] See also Crest (heraldry) Huabiao Stele Irminsul Tiki
originally posted by: intrptr
a reply to: theantediluvian
Maybe it was a sex doll, a sentry like the Terra cotta warriors from China? Maybe it was a statue of somebodies loved one that passed, a grave marker.
Maybe it was a God…nah, scratch that one.