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Some 43 years after his tragic death, rock-n-roll legend Jimi Hendrix will return to relevance on Tuesday with the release of his new album People, Hell & Angels.
The album consists of 12 previously unreleased tracks Hendrix completed in the studio before his death in 1970, brought about by an overdose of sleeping pills
Originally posted by AthlonSavage
reply to post by goou111
Amazing. Hundred of years from now the only musican they will remember from 20th/21 st century wil be Hendrix. He will have some reverence as Beethoven and Mozart.
Originally posted by nOraKat
YEah that first video post is definitely not Hendrix, it's not his voice.
Also, he never made anything with that sort of vibe (James Brown like..) with horns.
Only some of the guitar parts sounded like him (and prob is not).
Originally posted by jude11
Ok,
I don't know for sure but I'm a big Hendrix Fan and I have to say...this doesn't sound like Jimmy for a few small details.
Great recording...too great
Clean...too clean
Fantastic vocals...too fantastic. There are sustained vocals but Jimmy wasn't a fan of it.
I may be wrong but...is this really Jimmy?
And the guitar? Where is Jimmy? It's there but...
Thanks OP.
Peace
edit on 4-3-2013 by jude11 because: (no reason given)
With an album title coined by Jimi Hendrix, People, Hell & Angels, reveals some of Hendrix's post-Experience ambitions and directions as he worked with new musicians--including the Buffalo Springfield's Stephen Stills, drummer Buddy Miles, Billy Cox (with whom Hendrix had served in the 101st US Army Airborne and later played on the famed R & B 'chitlin circuit' together) and others--creating fresh and exciting sounds for the next chapter in his extraordinary career.
Mojo Man: Jimi would lend a hand to Albert & Arthur Allen, the vocalists known as the Ghetto Fighters, whom he had befriended in Harlem long before he achieved fame with the Experience. When the two recorded this inspired, previously unreleased master at the legendary Fame Studios in Muscle Shoals, Alabama they took it back to Hendrix at Electric Lady Studios. Jimi knew just what to do to elevate the recording beyond contemporary R & B to the new hybrid of rock, rhythm and blues he was celebrated for.
Somewhere: This newly discovered gem was recorded in March 1968 and features Buddy Miles on drums and Stephen Stills on bass. Entirely different from any previous version fans have ever heard.
Inside Out: Jimi was fascinated by the rhythm pattern that would ultimately take form as "Ezy Ryder". Joined here by Mitch Mitchell, Jimi recorded all of the bass and guitar parts for this fascinating song--including a dramatic lead guitar part amplified through a Leslie organ speaker.
Villanova Junction Blues: Long before his famous performance of this song at Woodstock, Jimi recorded this studio version with Billy Cox and Buddy Miles at the same May 1969 session which yielded "Hear My Train A Comin'" and "Bleeding Heart" also featured on this album. Never fully finished, the song stands as an example of the fertile ideas he hoped to harness and bring to fruition.
Originally posted by Theflyingweldsman
This is a collection of origional recordings from 1968 til his death with other musicians than the experience.
Official Jimi website
With an album title coined by Jimi Hendrix, People, Hell & Angels, reveals some of Hendrix's post-Experience ambitions and directions as he worked with new musicians--including the Buffalo Springfield's Stephen Stills, drummer Buddy Miles, Billy Cox (with whom Hendrix had served in the 101st US Army Airborne and later played on the famed R & B 'chitlin circuit' together) and others--creating fresh and exciting sounds for the next chapter in his extraordinary career.
The video from the op was misleading as to the general sound of the Album.
Mojo Man: Jimi would lend a hand to Albert & Arthur Allen, the vocalists known as the Ghetto Fighters, whom he had befriended in Harlem long before he achieved fame with the Experience. When the two recorded this inspired, previously unreleased master at the legendary Fame Studios in Muscle Shoals, Alabama they took it back to Hendrix at Electric Lady Studios. Jimi knew just what to do to elevate the recording beyond contemporary R & B to the new hybrid of rock, rhythm and blues he was celebrated for.
This will be the single.
Somewhere: This newly discovered gem was recorded in March 1968 and features Buddy Miles on drums and Stephen Stills on bass. Entirely different from any previous version fans have ever heard.
Try these before they get taken down..
Inside Out: Jimi was fascinated by the rhythm pattern that would ultimately take form as "Ezy Ryder". Joined here by Mitch Mitchell, Jimi recorded all of the bass and guitar parts for this fascinating song--including a dramatic lead guitar part amplified through a Leslie organ speaker.
Villanova Junction Blues: Long before his famous performance of this song at Woodstock, Jimi recorded this studio version with Billy Cox and Buddy Miles at the same May 1969 session which yielded "Hear My Train A Comin'" and "Bleeding Heart" also featured on this album. Never fully finished, the song stands as an example of the fertile ideas he hoped to harness and bring to fruition.
All quotes from here Official Jimi website
The whole album is already on youtube.
But...I leave it open to my being wrong of course.
Originally posted by Theflyingweldsman
Take the song "hear my train a coming", where he does sing: