It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
Source:www.britishmuseum.org...
Petrie was born in Charlton, Kent on 3 June 1853. He was the son of an engineer, and grandson of Matthew Flinders, the explorer of Australia. Petrie had no formal education, but became interested in Egypt after reading a book about the Great Pyramid when he was thirteen. He first went to Egypt to survey the pyramids in 1880.
Petrie excavated in Egypt for the Egypt Exploration Fund (EEF) from 1884 to 1886, but felt he needed more independence. In 1894, he founded his own archaeological body, the Egyptian Research Account, which later became the British School of Archaeology in Egypt. Later, Petrie rejoined the EEF and excavated for them between 1896 and 1905. In 1892 he was appointed as Edwards professor at University College London, the first person to hold a chair in Egyptology in Britain. He later abandoned Egypt to work on Hyksos sites in Palestine and Gaza. Flinders Petrie died in Jerusalem in 1942.
Petrie's methods were revolutionary for his time. He placed great emphasis on the observation of everything found, and the typological study of all objects. He probably made more major discoveries than any other archaeologist, and his vast collection of antiquities is now at the Petrie Museum, London. Petrie published over a thousand books, articles and reviews.
Full in depth article on William Flinders Petrie:www.touregypt.net...
Petrie was not the first excavator in Egypt. But he was severely critical of the shoddy work done by his predecessors. He wrote, "Nothing seems to be done with any uniform or regular plan, work is begun and left unfinished; no regard is paid to future requirements of exploration, and no civilized or labor saving devices are used. It is sickening to see the rate at which everything is being destroyed and the little regard paid to preservation."
For example, a bowl-maker attained curves of "exact circularity" by rotating the bowl around a fixed blade, and formed a lip by shifting the centring of the bowl. Another round-bottomed vase had walls of such uniform thickness that it balanced perfectly on a curved base like the tip of an egg. In 1995 Christopher Dunn, a machining technologist, concluded from the tool marks on sarcophagus lids that only machine-lathing could have achieved such precision and gloss, especially on hard stones such as granite and slate.
How Lathes Work
Lathes have been used throughout history for shaping wood, metal or stone.
A stone lathe holds and rotates a block against a cutting tool that chisels it into shape. It usually lies horizontally, but larger Egyptian workpieces probably stood upright. Egyptians used hard stone, such as granite, as well as softer alabaster, onyx and limestone, and needed flint or jewel blades that could cut anything. Sand slurry helped abrade a smooth surface. A picture on the tomb of Petosiris, dated to the fourth century BC, shows two Egyptian craftsmen working a vertical lathe, one turning while the other chiseled. However, no earlier depictions of lathes have been found, and earlier designs may be different.
Sometimes copper saws were used, where the sawing action was due to quartz sand particles embedded in the metal.
Sand was also used as an abrasive for boring and drilling. No coring drills have been found, but apparently hollow copper drills in conjunction with quartz sand were used extensively(2), though whether they used bow-drills [2] or drills with cranks similar to the stonedrill on the right is uncertain. At times tubular drills of various diameters were applied concentrically(3), so that the remaining cores could be broken off cleanly(4), creating a big hollowed-out space. Another option was to drill five or six holes around a central core which could then be removed.
Stonedrills, similar to the hieroglyph on the right, consisted of a wooden shaft(a) with a fork(b) at the bottom which held the stone drill(c), a crank(d), and two stones(e) serving as weights. This kind of drill allowed the drilling of holes which were wider at the bottom than at the neck, as, after creating a hole with a coring drill, a drill bit somewhat wide.
Source:www.ancient-wisdom.co.uk...
Mass-Produced lathe-cut vases - Petrie submitted evidence that showed that the ancient Egyptians used Lathes.
It appears that vase making was a considerable post in ancient Egypt. We can read an inscription concerning 'Imhotep' which tributes him as the 'Chief vase maker' amongst his many titles. There have been literally thousands of stone-carved vases found in and around Saqqara, which are all considered to have originated from the first dynastic periods. Many of the vases have been cut from extremely hard stone, again requiring an equal or harder blade to cut them with.
The evidence suggests that a specialized drill would have been used to carve the interiors, which are remarkable in that they have been carved equally well as the outsides, including the difficult section inside and under the curve of the 'necks' of the vases.
The accuracy of the carving leads us to accept that they were most probably lathe-turned, and cut with 'jewel-tipped' blades. The difficulties involved with the internal angles can have only been overcome with a specialized instrument although there is little explanation for why such hard stones were chosen in the first place.
Dunn, says 'There is also evidence of clearly defined lathe tool marks on sarcophagi lids'. The sheer scale of these lids makes this a bold suggestion, which he confidently supports with the observation that a Sarcophagus lid in the Cairo museum shows evidence of 'tool marks that indicate these conditions exactly where one would expect to find them'.
This one piece is so flawlessly turned that the entire bowl (about 9" in diameter, fully hollowed out including an undercut of the 3in opening in the top) balances perfectly (the top rests horizontally when the bowl is placed on a glass shelf) on a round tipped bottom no bigger than the size and shape of the tip of a hen's egg. This requires that the entire bowl have a symmetrical wall thickness without any substantial error! (With a base area so tiny - less than .15 " sq - any asymmetry in a material as dense as granite would produce a lean in the balance of the finished piece.)
Originally posted by Hanslune
So if you refuse to believe that the AE could do this work - where is the infrastructure and development of the advanced machinery you feel is needed to do this type of designs? You'll need to find that technology to be believed.
Originally posted by mcx1942
Originally posted by Hanslune
So if you refuse to believe that the AE could do this work - where is the infrastructure and development of the advanced machinery you feel is needed to do this type of designs? You'll need to find that technology to be believed.
Thank you for your reply friend.
I am not saying that the AEs did not posses the technology. I am asking why mainstream archaeology says they did not. The workmanship needed would require materials we are told they did not use or have.
Originally posted by mcx1942
The wheel had not yet been invented and iron was still unknown.
Items that were likely made of iron by Egyptians date from 2500 to 3000 BC.
Evidence of wheeled vehicles appears from the mid-4th millennium BC, near-simultaneously in Mesopotamia, the Northern Caucasus (Maykop culture) and Central Europe, so that the question of which culture originally invented the wheeled vehicle remains unresolved and under debate. The earliest well-dated depiction of a wheeled vehicle (here a wagon—four wheels, two axles), is on the Bronocice pot, a ca. 3500–3350 BC clay pot excavated in a Funnelbeaker culture settlement in southern Poland
Originally posted by Hanslune
So if you refuse to believe that the AE could do this work - where is the infrastructure and development of the advanced machinery you feel is needed to do this type of designs? You'll need to find that technology to be believed.
How the AE made granite vases
Question: Are all AE vases 'perfect"? If they had high technology they should be - are they?edit on 29/11/12 by Hanslune because: (no reason given)
Originally posted by Hanslune
reply to post by PrplHrt
Skill - I can imagine a artist spending months on a vase and years with a team of relatives doing a Sarcophagus.
Additional although the AE were the masters of working with rocks others did to. The Sumerians and their followers worked with Diorite a stone the AE used to shape granite.
Now that may not look like much but the entire surface is inscrbed with Hammurabi's law code and its 2.3 meters tall (7 1/2 feet)
Remember this detail is being placed on the hardnest stone worked by ancient man. Now this came from 1770 BC so they were beginners compared to the AE who had two thousand years of experience on them
edit on 29/11/12 by Hanslune because: (no reason given)