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Originally posted by alldaylong
Rod Dickinson teaches digital media production across all three years, specializing in interactive and hypermedia.
He is a practicing multimedia artist whose artwork mostly takes the form of video installations and live events. Recent projects use detailed research into moments of the past and present, to make a series of meticulously re-enacted events and simulations that represent both the mechanisms that enable belief, and the social systems that make belief systems function.
Originally posted by RickyVelveeta
isaackoy, can you confirm this man was active in the crop circle community BEFORE the sighting/him taking this footage?
Rod Dickinson clearly remembers the night he made his first crop circle. It was the summer of 1991, ..
...
Thirteen years later, Dickinson has just completed what he estimates to be his 500th foray into the art of what's come to be known as "circle-making"
it would make sense that he might get involved afterwards as a result of the sighting/media attention, and that would not be enough to discredit him completely.
Originally posted by RickyVelveeta
reply to post by IsaacKoi
fair dos, care to point me to some evidence to support that mr dickinson is a confirmed hoaxer?
Rod Dickinson's art work has focussed on an ongoing involvement and fascination with several areas of peripheral belief; including crop cirles and UFOs.
For the last decade he has covertly created crop circles.
His art work has been widely exhibited in contemporary art galleries which include: Huntington Beach Art Centre, California, USA; Centre for Contemporary Art, Glasgow, Scotland, UK; Camerawork Gallery, London, UK; Stadtakademie, Frankfurt, Germany.
Trickster by John Roberts
Art writer and author John Roberts discusses Rod Dickinson's crop circle work. This article has been published in the Oxford Art Journal, volume 22, No 1 1999. Published by Oxford University Press
Leaders in the Field
Mark Pilkington from Fortean Times magazine interviews circlemakers John Lundberg, Rod Dickinson, Wil Russell and Rob Irving.