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Originally posted by RemainSkeptical
Is there a reliable source that can demonstrate this allegedly impossible accuracy? Its a large claim to make, without offering any methodology or measurements. It is also worth noting there are many stones harder than granite, quartzite for example. Using a mineral or stone with a hardness greater than the stone you are working, abrasive grit+water, time, and slaves, I'm sure you can carve all sorts of awe inspiring monuments....
Originally posted by Caveat Lector
Originally posted by RemainSkeptical
Is there a reliable source that can demonstrate this allegedly impossible accuracy? Its a large claim to make, without offering any methodology or measurements. It is also worth noting there are many stones harder than granite, quartzite for example. Using a mineral or stone with a hardness greater than the stone you are working, abrasive grit+water, time, and slaves, I'm sure you can carve all sorts of awe inspiring monuments....
quartzite is not much stronger and is just quartz grains (that can't really be destroyed by weathering) that have been metamorphized.
Virtually no examples of this around the mid-east, bar perhaps the odd meteorite impact, which would mostly form a glass type rock anyway.
Quartzite on quartz would GENERALLY not work as the crytal stucture of quartz would be far stonger compositionally than the integrity of lots of individual grains of quartz fused together. A bit like a knife of steel cutting through mini steel balls, loosly held together.
[edit on 8/6/10 by Caveat Lector]
Originally posted by Skyfloating
Not one Egyptologist has been able to demonstrate the workmanship with the tools the ancient Egyptians were supposed to be using.
In 1996, this tube-drilled piece of granite was on display in the Cairo Museum without any associated identifying information.
The photo (click to see full size) clearly shows spiral grooves on the visible portions.
The grooves can be seen to be of regular depth and spacing, and occur in all of the holes in this piece. As the holes overlap, were these grooves caused by abrasive slurry, they would not be expected to be so consistent.
These grooves seem to support Petrie's conclusion of "jewelled points" set into bronze tube drills.
The ancient builders used a tube drill to hollow out the sarcophagus in the King's chamber of the Great Pyramid - they drilled off course and left a tube drill mark on the top inside of the box on the east side. They did some extra polishing to fix it up a bit but if you go to the King's chamber you can still see it if you look carefully.
Looking at the radius of the cut in the sarcophagus (less than 2") it is obvious that in this one piece alone the masons made thousands of holes - each several inches deep. The craftsmen who did this had mastery of the principles of drilling round hollow holes in any material, soft or hard: wood, stone, or metal, and could have drilled virtually any naturally occuring material on this planet.
The Step Pyramid is believed to be the oldest stone pyramid in Egypt - the first one built.
It seems to be the only place where these kind of stone housewares were found in quantity, although Petrie found some fragments of similar bowls at Giza.
Many of them have inscribed (scratched) onto them the symbols of the earliest kings of Egypt - the pre-dynastic era monarchs - from before the pharaohs. Judging by the primitive skill of the inscriptions, it seems unlikely that those signatures were made by the same craftsmen who fashioned the bowls in the first place.
In the Cairo museum and in other museums around the world there are examples of stone ware that were found in and around the step pyramid at Saqqarra. Petrie also found pieces of similar stoneware at Giza. There are several special things about these bowls, vases and plates.
They show the unmistakable tool marks of a lathe manufactured item. This can easily be seen in the center of the open bowls or plates where the angle of the cut changes rapidly - leaving a clean, narrow and perfectly circular line made by the tip of the cutting tool.
Photo taken at Cairo museum, 1996.
These bowls and stone dishes/platters are some of the finest ever found, and they are from the earliest period of ancient Egyptian civilization. They are made from a variety of materials - from soft, such as alabaster, all the way up the hardness scale to very hard, such as granite.
Working with soft stone such as alabaster is relatively simple, compared to granite. Alabaster can be worked with primitive tools and abrasives. The elegant workings in granite are a different matter and indicate not only a consummate level of skill, but a different and perhaps more advanced technology.
Here is a quote from Petrie:
"...the lathe appears to have been as familiar an instrument in the fourth dynasty, as it is in the modern workshops."
Stoneware such as this has not been found from any later era in Egyptian history - it seems that the skills necessary were lost.
Some delicate vases are made of very brittle stone such as schist (like a flint) and yet are finished, turned and polished, to a flawless paper thin edge - an extraordinary feat of craftsmanship.
At least one piece is so flawlessly turned that the entire bowl (about 9" in diameter, fully hollowed out including an undercut of the 3in opening in the top) balances perfectly (the top rests horizontally when the bowl is placed on a glass shelf) on a round tipped bottom no bigger than the size and shape of the tip of a hen's egg !
This requires that the entire bowl have a symmetrical wall thickness without any substantial error! (With a base area so tiny - less than .15 " sq - any asymmetry in a material as dense as granite would produce a lean in the balance of the finished piece.)
This kind of skill will raise the eyebrows of any machinist. To produce such a piece in clay would be very impressive. In granite it is incredible.
Other pieces turned out of granite, porphory or basalt are fully hollowed with narrow undercut flared openings, and some even have long necks. Since we have yet to reproduce such pieces it is safe to say that the techniques or machinery they employed to produce these bowls has yet to be replicated.
Here is a large (24" or more in diameter) piece turned out of schist (shown here glued back together in the Cairo Museum.) It is like a large plate with a central hub (about 2-3 " diameter) with an outside rim that in three areas spaced evenly around the perimeter is flared toward the central hub. It is a truly amazing feat of stone work.
There were not just a few of these. Apparently there were thousands found in and around the Step pyramid.
The Step Pyramid is believed to be the oldest stone pyramid in Egypt - the first one built. It seems to be the only place where these kind of stone housewares were found in quantity, although Petrie found some fragments of similar bowls at Giza.
Many of them have inscribed (scratched) onto them the symbols of the earliest kings of Egypt - the pre-dynastic era monarchs - from before the pharaohs. Judging by the primitive skill of the inscriptions, it seems unlikely that those signatures were made by the same craftsmen who fashioned the bowls in the first place. Perhaps they were added later by those who had somehow acquired them.
Diorite bowl inscribed with the name of Hotep the first king of the Second dynasty - Saqqara
So who made these objects? and how? and where? and when? and what became of them, that their housewares were buried in the oldest of Egyptian pyramids?
Climate
The Sahara desert generally features an arid climate. The Sahara desert is one of the hottest regions of the world, with a mean temperature over 30 °C (86 °F). Variations may also be huge, from over 50 °C (120 °F) during the day during the summer, to temperatures below zero at night in winter. Daily variations are also very important. The Sahara also receives very little rain (The Inter-Tropical Convergence Zone moves up from the south, but stops are observed and full-blown wind and sand storms occur as soon as early spring. Local inhabitants protect themselves from heat, cold and mostly wind and sand by covering their heads (see the cheche worn by Tuareg).
Notes for testing:
Each mineral can scratch the minerals with lower hardness ratings.
Each mineral can scratch itself. [Note Bold is my edit for emphasis]
Don’t press hard, normal scratching should do.
Weathered surfaces are softer.
Corners or edges of crystals are softer.
Small pieces seem softer than large pieces.
When you scratch, take a close look at the scratch line -
which often looks white.
Is it really a scratch or is it a powder line made from the tool you used
because it was softer than the item you were trying to scratch?
Originally posted by Skyfloating
Last but not least, we have the technology to drill granite since only one century. Up to now there have been no satisfactory explanations on how the Egyptians did it:
[atsimg]http://files.abovetopsecret.com/images/member/d6348b83f623.jpg[/atsimg]
How did they do it?
Stocks (2001) constructed a partial rotary-motion coring drill powered by a wooden bow (Fig. 20).
The coring barrel was made of copper and was 8 cm in diameter, 1 mm in thickness, and was partially forced fitted to the wooden drill-shaft.
A capstone bearing was carved out of a hard sandstone with flint chisels and punches, so that the rounded cone end of the drill-shaft could rotate with reduced friction when aided by grease, as well it acted as a weight. The wooden bow was made from a curved tree branch that applied enough tension to the bow rope to prevent slippage of the wooden drill-shaft during the coring experiment.
A granite block from Aswan was used to test the coring drill. Initially, the surface of the granite was flattened by pounding with a diabase (dolerite) hammer.
An outline equal to the diameter of the cutting edge of the coring bit was marked on the surface of the rock with red paint, and this outline was used to guide the carving of a shallow groove into the surface of the granite with a flint chisel and stone hammer.
This was done to prevent the coring bit from slipping from the area being cut, during the initial stage of coring.
This slippage was no longer a problem when the depth of the cut exceeded 5 mm. Stocks (1993, p.601) describes a travertine vessel with a similar type groove on the top surface located in the collections of The Petrie Museum (Fig. 21).
The drilling was conducted by a team of three workman using dry sand as an abrasive.
Two workmen operated the bow at either end, and the third held the capstone.
As the bow was drawn back and forth, the motion produced 120 revolutions of the coring bit per minute (60 clockwise and 60 anticlockwise).
A force of about 1 kg/cm2 on the end of the coring bit was needed to initiate cutting of the granite by abrasion by quartz sand.
This was easily obtained by the workman holding the capstone, however, some difficulty was noted in keeping the drill stable and perpendicular to the granite surface during the reciprocating motion of the bow.
This caused the granite rock core and the core hole to became tapered, as well as the core hole being overcut in the direction of the bow's motion. However, this effect was reduced as the core depth increased, and the overcutting of the core hole was kept symmetrical by changing the orientation of the bow during drilling.
The experiment took 20 hours to complete and generated a rock core 6 cm in length.
A rate for cutting granite with dry quartz sand abrasive of 5.2 cubic cm/hour was obtained.
Originally posted by merka
More than likely because there is not one Egyptologist that is a stonecutter with the combined knowledge of at least a 1000 years of masters passing down their skills to apprentices, which then become the masters.
Its really the same thing if you take US corn farmer from Texas or something and tell him to build the next Intel CPU and he's got 1 week to do it.
Originally posted by spacevisitor
Is it not remarkable that most if not all of those marvelous works of craftsmanship where found in the oldest stone pyramid in Egypt - the first one built.