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Originally posted by ZombieOctopus
Cylinders don't make sense at all. I can't think of a single advantage to making a craft in the shape of a cylinder. Even if you want to argue that it doesn't need to be aerodynamic due to it's gravity cancelling technology it still doesn't make sense because then the shape that optimizes internal volume the greatest would be a cube. Are there currently any good theories regarding cylindrical UFOs? I think it's an interesting subject worthy of further investigation and thought.
Originally posted by Doc Velocity
..
Of course, my favorite theory of UFO dynamism is that they are simply "projections" of craft, not truly physical craft. This would perfectly explain their incredible apparent speed and maneuverability — they have no more substance than a spotlight swept across a cloudy sky, or a shadow cast upon the ground, right?
The manner of projection is wide open to speculation. Perhaps they're interdimensional projections of some kind. Who knows?
— Doc Velocity
Originally posted by ZombieOctopus
If you ask someone who's seen a UFO before to describe the craft, for the most part you receive one of three generalities: saucer, triangle or cylindrical.
Cylinders don't make sense at all. I can't think of a single advantage to making a craft in the shape of a cylinder. Even if you want to argue that it doesn't need to be aerodynamic due to it's gravity cancelling technology it still doesn't make sense because then the shape that optimizes internal volume the greatest would be a cube.
Are there currently any good theories regarding cylindrical UFOs? I think it's an interesting subject worthy of further investigation and thought.
Prodigiorum Ac Ostentorum Chronicon,
Text by Conrad Lycosthenes. Basel: Henricpteri, 1557.
First Edition.
The most exhaustive early work illustrating medieval superstition. With its three or more woodcuts to every page it is one of the best illustrated books of the Renaissance. This woodcut book contains no less than 1545 woodcuts including several repeats, the majority showing human monsters of all types, many of which later appeared in Ambroise Pare's works. Others are of beasts and animals, sea-monsters. Page 494 is a woodcut showing a spaceship seen over Arabia in 1479. Perhaps the first work including UFO's.