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The Teuchitlan tradition was a pre-Columbian complex society that occupied areas of the modern-day Mexican states of Nayarit and Jalisco. Although evidence of Teuchitlan tradition architecture appears as early as 300 BCE, its rise is generally dated to the end of the Formative period, 200 CE.[1] The tradition is rather abruptly extinguished at the end of the Classic era, ca. 900 CE.[2]
The Teuchitlan tradition is notable for its circular central plazas and conical step pyramids. According to researcher Phil Weigand, these unusual structures are "unique in the Mesoamerican architectural repertoire and indeed are not found anywhere else in the world".[3]
The Teuchitlan tradition is an outgrowth of the earlier shaft tomb tradition, but with a shift away the smaller centers to larger sites such Los Guachimontone
he Guachimontones archaeological site, just outside modern-day Teuchitlán, Jalisco, is the largest and most complex site within the Teuchitlan tradition.[5] The center of the ancient village was occupied by three circular areas, each of with a multi-level circular step pyramid at its center. There are a total of 10 such "Circles" within Teuchitlan, along with four rectangular plazas and two ballcourts among many other smaller structures.[6]
The circular pyramids are thought to be cosmograms, representing the mythological structure of the universe, and the circular poles that were set into their center the Mesoamerican world tree. Based on the many ceramic tableaus that have been recovered, it is similarly thought that volador ceremonies were conducted from the pole
Originally regarded as of Tarascan origin,[5] contemporary with the Aztecs, it became apparent in the middle of the 20th century, as a result of further research, that the artifacts and tombs were instead over 1000 years older. Until recently, the looted artifacts were all that was known of the people and culture or cultures that created the shaft tombs. So little was known, in fact, that a major 1998 exhibition highlighting these artifacts was subtitled: "Art and Archaeology of the Unknown Past".[6]
It is now thought that, although shaft tombs are widely diffused across the area, the region was not a unified cultural area.[7] Archaeologists, however, still struggle with identifying and naming the ancient western Mexico cultures of this period
Originally posted by chiefsmom
Wonderful post.
They were amazingly detailed in the sculptures.
I am curious though about the "Sleep for extended period" sculpture.
The figure appears to be strapped down in two places?
Maybe sacrificial?
Because western Mexico is on the very periphery of Mesoamerica, it has long been considered outside the Mesoamerican mainstream and the cultures at this time appear to be particularly insulated from many mainstream Mesoamerican influences. For example, no Olmec-influenced artifacts have been recovered from shaft tombs, nor are any Mesoamerican calendars or writing systems in evidence
Shaft tombs also appear in northwestern South America in a somewhat later timeframe than western Mexico (e.g. 200-300 CE in northern Peru, later in other areas). To Dorothy Hosler, Professor of Archaeology and Ancient Technology at MIT, "The physical similarities between the northern South American and West Mexican tomb types are unmistakable."while art historian George Kubler finds that the western Mexican chambers "resemble the shafted tombs of the upper Cauca river in Colombia". However, others disagree that the similarity of form demonstrates cultural linkages