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Originally posted by Irma
I have always believed television was addictive but not for the reasons stated in the links. I always thought it due to the high-pitched 'whistle' that televisions make when they are on and that, subconciously, this frequency is 'familiar/friendly/enjoyable'etc. Whether or not this is the case I have no idea, but considering most television programmes are duller than real life there must be a reason why people turn it on even if there's 'nothing on'. Incidentally, my new flat will have no television as I hate 'em.
Originally posted by LadyV
I agree on the TV mind control. Especially where the young are concerned. It almost seems too that they can put anything on and people will flock to it....look at all the ridiculous reality shows.....which are all BS....it has already bee proven people are "acting" when they know the camera is rolling, more upset, madder etc....it influences people so much all in presentation......There are very few shows I actually go into the living room sit and watch on the big TV......95% of what I listen to, is done in the computer room while on the computer.......
Originally posted by Strianissa
I spent a large part of my childhood in front of the television, and the only way it could have possibly controlled my mind is if one considers that I grew up with an extremely positive set of ideals. Every event in a person's life goes back to how that person was raised as a child. If a parent is apathetic toward a child and let's that child learn what he/she will, then the child might grow up with a bad moral programming so to speak. My parents watched television with my on more occassions than I can count. We watched things like:
Little House on the Prairie
The Brady Bunch
I Dream of Jeannie
Gilligan's Island
The Andy Griffith Show
I Love Lucy
The Local and World News
Sports
Saturday morning cartoons (looney tunes, tom & jerry, smurfs, etc.)
I could go on forever remembering shows with good wholesome concepts. We actually had discussions about the moral issues and decision-making policies. I have to admit, it took me a while to get used to regular folks as I was growing up due to what I considered to be lack of concern for positive human evolution, but because my parents have guided me well, I made it through confusing moments just the same.
To make his point, Adorno unmasks the "hidden message" of a number of popular shows of the early television period.
"Our Miss Brooks", a popular situation comedy (sitcom), pitted a trained professional, a school teacher, against her boss, the principal. Most of the humor, according to Adorno, was derived from situations in which the underpaid teacher tried to hustle a meal from her friends.
Adorno "decodes" the "hidden message" as follows:
"If you are humorous, good-natured, quick-witted, and charming as she [Miss Brooks] is, do not worry about being paid a starvation wage. You can cope with your frustration in a humorous way and your superior wit and cleverness put you not only above material privations, but also above the rest of Mankind."
This 'message' will be called forth years hence, as the economy collapses in the form of a "cynical anti-materialism." It came forth with a vengeance among the 1960s "lost generation," and the first wave of the "counterculture."
Generalizing from this, Adorno points out that it is "social tension and stress" that call forth the television images of "pyschodynamic stereotypes", the role models and images from the early television viewing. The more confusing life becomes, the "more people cling desperately to clichés in order to bring order to the otherwise un-understandable," Adorno says.
Another "decoding" by Adorno emphasizes this point. Remember the show, "My Little Margie"? The heroine of this sitcom was a pretty girl who played "merry pranks" on her father, who is portrayed as well-meaning but stupid.
Adorno says that the "hidden message" is the image of an aggressive female successfully dominating and manipulating the male father-figure. He "predicts" that years later, that young girls will increasingly mirror this image of the "bitch-heroine." Little Margie is the role model image for the feminist movement of the 1960s and 1970s that took off as the "My Little Margie" viewers grew up.