posted on Jul, 24 2011 @ 11:05 PM
Having researched the metaphysical aspects of the whole sordid drama that was 9/11 for several years now I am inclined to view the September 11
terrorist attacks as a form of ritual magic on a mass scale. No one can deny that, not unlike the assassination of President John F. Kennedy in 1963,
the media was used, or misused, to add to the ritual abuse and trauma of the public mind both pre- and post-9/11. For instance, it has been documented
in recent years that there was subtle embedding of crucial elements to the narrative of 9/11 (e.g. characters, plot, setting, date, themes, etc.) in
pop culture like films, TV shows, video games and magazine ads that were produced for mass consumption prior to September 11, 2001. Whether this is
simply coincidence, proof of a conspiracy or a combination of both is anybody's guess. What peaks my interest, however, is that there is much history
linking media corporations with the international intelligence community. It is also undisputed that not only in the years after WWII was much
research conducted into psychological warfare, but those involved in such studies were later highly embedded within the American mass media continuing
their working relationship with US intelligence agencies even long after retirement. Perhaps such subliminal embeds were key to the overall success of
the psy-ops that were in place and triggered reactions in the aftermath of the terrorist attack on the Twin Towers that made comparisons to a movie
script so immediate and not unpredictable. If, however, the "priming" was not deliberate on the part of script writers, film producers and the like
it begs the question whence did this psycho-spiritual warfare emanate? Did it originate with the spiritual realm? I don’t know, but the event itself
was steeped in archetypal elements that attracted numerous “chains of associations” or correspondences of the like that can only be deemed bizarre
to say the least. Even footage surfaced I recall, if genuine, that purportedly showed demonic figures on the day as smoke billowed from the WTC and
later collapsed. Nevertheless, it is documented that ritual magicians throughout history were renowned to employ “props” such as light, color,
sound and highly theatrical spectacle to achieve their goals, surrounding themselves with such to enhance the direction of the group-mind towards
particular ideals, not unlike visualization techniques today, and thereby concentrate the consciousness upon, and flood the mind and spirit with, the
principles they sought to invoke in their “mystery plays.” Not unlike Hollywood movie-makers who recreate on studio backlots the magician’s
circle (or stage) and “method” actors who immerse themselves with the characters they’re portraying ritual magicians sought to evoke into
consciousness and cause mental associations with potent archetypes of violence or sex, for instance, and thus, tangibly enact their visions of the
future. Such magical and quasi-religious aspects are all too evident, and sinisterly so, especially today in American politics and media.