posted on Jan, 31 2010 @ 09:51 AM
Hey there NLDelta9,
Without getting into the idea of footage fakery, obfuscation, or anything like that, here is the basic explanation for what you are seeing.
In the case of that clip you mention there from Apollo 11 - that is 16mm DAC footage of the LM ascent stage during rendezvous with the CSM. The camera
is mounted in one of the CSM rendezvous windows, filming the scene. During this particular phase of the mission, the CSM was essentially acting as the
passive target vehicle for the LM to dock to, meaning that the LM was the active spacecraft for this rendezvous. This assignment of having the LM be
the active spacecraft meant that CMP Mike Collins in the CSM basically just kept his spacecraft's nose pointed in one direction during the final
rendezvous and kept the cameras clicking, and CDR Neil Armstrong, who was in control of the smaller, more maneuverable LM ascent stage, could then fly
his spacecraft in and handle the docking alignment and final approach.
Now, very importantly, in that clip you mention, you have to keep in mind some particulars about the camera system NASA says was employed to shoot
that footage. That scene was shot on 16mm film through what was called the "Data Acquisition Camera" (DAC). The Maurer "DAC" cameras used
throughout the Apollo program were modified variable frame rate 16mm motion picture film cameras. When being used in "automatic" mode
(as was the case in this Apollo 11 clip we are talking about), the DAC camera could be set by the astronaut to expose the film within it's magazine
at one of three set frame-rates - 1, 6 or 12 frames-per-second. I would have to check my notes to be sure, but just by eye I am pretty sure that
footage you are referencing there was archived by NASA as being shot at 6 frames-per-second.
So, what you see in that clip is footage that was shot at 6 fps but that is being played back much faster, at 29.97 fps (as per the NTSC conversion
protocols the space agency chose to follow for digitally archiving their variable-speed 16mm DAC footage). If you slow that particular scene down so
that it plays back at only 6 fps rather than 29.97 fps, your eye will resolve a jerky, stuttering scene, but it will offer a more accurate
representation of the actual rendezvous translation control and maneuvering capability of the LM ascent stage. Basically, that footage was shot in
stop-motion (6 fps) but, as shown in that clip you linked, is being played back in fast-forward at 29.97 fps, which is why the LM movements appear so
quick, jerky, and abrupt.
By the way, (and I know that this is in no way your fault so I ain't ripping on you) the quality of that particular clip they show in that video you
linked to is horrible. The new HD 1280x720 DAC archive releases from NASA that are now available show that scene (well, they show "every" scene
really) with far better resolution.
There is also some excellent rendezvous footage (essentially the exact same rendezvous procedure we are talking about here) from Apollo 10 that was
shot with the DAC set to "semi-automatic mode", and that semi-auto mode allowed for 24 fps filming. That 24 fps rendezvous footage from Apollo 10,
due to it's faster exposure/playback rate, offers a far cleaner and more accurate representation of the real-time movement profile of the "active"
LM as it closes on the "passive" CSM during the final approach and docking phase. I cant find that particular clip online anywhere, but I will dig
around for it as it is probably on Youtube somewhere. I have it in HD, but it is a huge file that I can't readily upload.
Anyways, hope that helps answer your question.
Cheers,
LC