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Patricia Piccinini is an Australian artist. She was born in 1965 in Freetown, Sierra Leone and emigrated to Australia in 1972 with her family. She studied economic history before enrolling at art school in Melbourne. Her mixed media works include the series Truck Babies, and the installation We are Family which was chosen to represent Australia at the 2003 Venice Biennale. Piccinini works with a wide range of media, including painting, sculpture, video, sound, installation and digital prints. Her major artworks often reflect her interests in world issues such as bioethics, biotechnologies and the environment. Her work has gained extensive international recognition.
Piccinini likes to explore what she calls the 'often specious distinctions between the artificial and the natural'. She challenges our classification of life by displaying the relationship and differences between the organic, natural and our constructed material world. This inspires her to combine human physiology and technological development.
While Piccinini is often compared to Ron Mueck, it is not widely known that she does not create her sculptures. Sam Jinks is the artist responsible, who has since exhibited his own works
Room 64 (Early Egypt) contains one of the most famous mummies ever discovered and another rare and very interesting example of what happened when the early Egyptians began to experiment with mummymaking:
Ginger, the naturally-preserved, pre-dynastic mummy. His well-known photograph is often included in books about Egyptian mummies. He (named for his red hair) is surrounded by burial goods, including the tools he worked with during his life, as well as pottery vessels that were once filled with food to accompany him to this afterlife.
a 1st Dynasty basket coffin (with skeleton) is the rare example of how the Egyptians made mistakes at the beginning of artificial mummification. The basket would have trapped the moisture inside, and the body rotted. This is one of the few examples known to exist.