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pluto.jhuapl.edu...
MVIC operates at visible wavelengths - using the same light by which we see - and has 4 different filters for producing color maps. One filter is tailored to measure the methane frost distribution over the surface, while the others are more generic and cover blue, red and near-infrared colors, respectively. MVIC also has two panchromatic filters, which pass essentially all visible light, for when maximum sensitivity to faint light levels is required. In all cases, the light passes from the telescope through the filters and is focused onto a charge coupled device (CCD). (Although the MVIC CCD is a unique, sophisticated device, virtually all consumer digital cameras use CCDs.)
Originally posted by SilentFrog
What the heck are you talking about?
What the heck are you talking about? It's standard procedure in order to extract the most information possible from a CCD device. Even your average camera has filters, one for each color. So why is it a big deal that it has filters specifically detailed for each colors?
Are you trying to say that NASA is trying to hide the existance of blue-green algae on Pluto?
Originally posted by SilentFrog
What the heck are you talking about? It's standard procedure in order to extract the most information possible from a CCD device. Even your average camera has filters, one for each color. So why is it a big deal that it has filters specifically detailed for each colors?
They use one exposure using each color filter, then recombine the images to form a visible color image. More details:
So what's the big deal.www.badastronomy.com...
No matter where you place the curves, there are huge gaps between all the filters. They're basicly narrow bandpass filters, and not suited to RGB imaging.
As has been stated over and over again, they will not create a true RGB image. There's no crossover between the filters, even if you use the best case curve based on their bandpass. The L3 filter, at 670nm, is the closest to a typical Red filter in an RGB set, which usually has a peak transmittance around 650nm. The L4 filter at 600nm falls into the typical crossover between green and red on an RGB set, or "orange".
The difference is that an RGB filter set has a much, much broader bandpass - a typical red RGB filter covers from 570 (min transmittance) to around 700 (min transmittance) with peak transmittance at 650nm. Green, from 450 to 650 peaking at 550, and blue from 350 to 550, peaking around 450. That wide crossover between filters is what allows an RGB set to provide a much better rendition. Not only that, the crossovers are usually at the 50% or higher transmission points. Those non-existent crossovers on the pancam are at 0% transmittance. No color data at all for specific wavelengths between filters.
You can not, and will not, ever get an RGB image from narowband filters that effectively eliminate some wavelengths from reaching the detector.
www.bautforum.com...
NTSC saves only 11% of the original blue and 30% of the red
Originally posted by ArMaP
You know, RGB is not the only method to artificially recreat colour.
TVs do not use RGB in their transmissions, so does that mean that the colours we see on TV are all wrong?
But looking at the ranges you provided, I see they go from 425nm to 700nm, so there are no colours lacking from the blue 425nm to the red 700, only almost all Violet and the darkest Red are missing.
From your trasmittance graph, I can see that the filters map pretty much across the whole color range. So the logical thing, I'm thinking here, is to take a picture with the CCD through each filter. This will give 3 pictures in black and white.
I fail to see how the process is any different from that used in commercial digital cameras. I'd even say that it's superior.
Originally posted by ArchAngel
You cannot create a true color image, or anything close with these filters.
You can create representative color pictures, but thats true for any filter set.
I fail to see how the process is any different from that used in commercial digital cameras. I'd even say that it's superior.
The difference is that the commercial camera uses a proper RGB filter set while Ralph does not.