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The Isfahan Boxes
None of the wonderful machines of al-Jazari survived the hundreds of years passed, and all we have are beautiful manuscripts. I fantasize about an extensive archaeological excavation in the Palace in Diyarbakir that would reveal remnants of the castle’s clock or any other monumental work. Until then, both boxes with alphabet locks from Isfahan in Iran dated to the late twelfth century are the closest thing to time travel, to see al-Jazari at his work. In the David Museum in Copenhagen, there is a fragmented brass box inlaid with silver and copper with four alphabet locks. The four dials are in a straight line and not in the four corners of a rectangle, but the similarity to al-Jazari’s chest is evident. Like al-Jazari each dial contains 16 letters. The letters which are used are without a diacritical mark. There is a resemblance to the locking process and the details of the mechanism. The box is simpler, and each dial has just two cylinders. Only eight letters (and not twelve) are required to open the crate. On the box there is the maker signature saying:
“Work of Mohammed b. [Ben] Hamid al Asturlabi
Al Isfhani in the year
Five hundred and ninety-seven [1200 AD]
And I have tested it[it works]”.
he has been described as the “Leonardo da Vinci of the East,” a moniker that is in many ways a misnomer. It might be more accurate to describe Leonardo as the “al-Jazari of the West.”