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The “Minoan legacy” is the presence of several immense and complex buildings – palaces – built over several floors. One problem is that there is more than one palace – it is unlikely that all of these were palaces for a central king. It has therefore been argued that these were “secondary” palaces that controlled “regions”. All palaces all adhere to the same design: they are situated on lowlands, are close to the seashore, often aligned to important mountains, or more particularly: mountains with important caves, sometimes mythically connected with the birthplace or the place of burial of deities, Zeus in particular.
These observations allow for the argument that the “palaces” could more likely be “temples” – that their purpose is more religious than residential. For sure, archaeologists are quick to point out that certain parts of the palaces definitely had a religious function. But some go further. In fact, archaeologist Oswald Spengler stated in 1935 that these “palaces” were temples for the dead. The Minoan royal throne to him was not the seat from which the king held audiences, but instead the seat for a religious image or a priest’s mummy. His opinion was not taken seriously, as it went against the – still – accepted belief and Spengler himself could not pursue his own line of thinking as he died the year following the publication of his thesis. Hans Georg Wunderlich continued where Spengler had left off. Both Wunderlich and Spengler noted that the state of the palaces was particularly bizarre. Thousands of people are believed to have roamed the corridors of the Palace of Knossos, but the staircases throughout the complex look as if they have never been used! Most sections of the complex reveal no sign of usage, or age.This in itself is bizarre. It is all the stranger as the material used was gypsum, a very soft material. Why they used this inferior material to the widely available marble-like limestone, is a great mystery – if the palace was meant for the living.