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Giulio Cesare Andrea Evola (Italian: [ˈɛːvola];[1] 19 May 1898 – 11 June 1974), better known as Julius Evola, was an Italian philosopher, painter, and esotericist. Evola regarded his perspectives and spiritual values as aristocratic, masculine, traditionalist, heroic and defiantly reactionary.
Evola believed that mankind is living in the Kali Yuga, a Dark Age of unleashed materialistic appetites, spiritual oblivion and dissolution. To counter this and call in a primordial rebirth, Evola presented his world of Tradition.
Entry into esotericism
Around 1920, his interests led him into spiritual, transcendental, and "supra-rational" studies. He began reading various esoteric texts and gradually delved deeper into the occult, alchemy, magic, and Oriental studies, particularly Tibetan Lamaism and Vajrayanist tantric yoga. He had also used hallucinogenic drugs to experience altered states of consciousness during this period, but later came to criticize such drugs in Ride the Tiger, as he did not consider stimulation as a means to transcendence.
In 1927, along with other Italian esotericists, he founded the Gruppo di Ur (the Ur Group). The group's aim was to provide a "soul" to the burgeoning Fascist movement of the time through the revival of an ancient Roman Paganism.
Their expressions no longer take their stamp from the religion of the origins, from the severe forms inherited from the dominating elites who stood at the center of an organic and qualitative civilization (this being exactly what I call the world of Tradition).
Its through "traditions" where we can find most of the misdirection we find today that was never part of the past's truth .imo creeds give rise to newer understanding for the culture and time at which they were constructed and by those who thought it out to have been put into a dogmatic statement that suspends the growth of the spirit . Only through the historical context of the origins and their audience do we find the truth .
World of tradition would be the accumulated tradition of values handed down from "the fathers" through the elders.
Only through the historical context of the origins and their audience do we find the truth .
In Revolt, he expounds according to the ancient texts that there is not one tradition, but two: an older and degenerate tradition that is feminine, matriarchal, unheroic, associated with the telluric negroid racial remnants of Lemuria; and a higher one that is masculine, heroic, "Uranian" and purely Aryo-Hyperborean in its origin.
- wikipedia
creeds give rise to newer understanding for the culture and time at which they were constructed and by those who thought it out to have been put into a dogmatic statement that suspends the growth of the spirit .
originally posted by: the2ofusr1
a reply to: pthena
Its through "traditions" where we can find most of the misdirection we find today that was never part of the past's truth .imo creeds give rise to newer understanding for the culture and time at which they were constructed and by those who thought it out to have been put into a dogmatic statement that suspends the growth of the spirit . Only through the historical context of the origins and their audience do we find the truth .
World of tradition would be the accumulated tradition of values handed down from "the fathers" through the elders.
originally posted by: pthena
a reply to: the2ofusr1
Only through the historical context of the origins and their audience do we find the truth .
I've been reading a bit more about this Evola character. Quite influential in the esoteric and magic areas. He actually identifies two strands of tradition:
In Revolt, he expounds according to the ancient texts that there is not one tradition, but two: an older and degenerate tradition that is feminine, matriarchal, unheroic, associated with the telluric negroid racial remnants of Lemuria; and a higher one that is masculine, heroic, "Uranian" and purely Aryo-Hyperborean in its origin.
- wikipedia
I think that anything anyone today might say about the guy's views, taken out of context, would be either meaningless or even contradictory to his actual views.
creeds give rise to newer understanding for the culture and time at which they were constructed and by those who thought it out to have been put into a dogmatic statement that suspends the growth of the spirit .
As a topic separate from the threads title, Creeds are an establishment of a new doctrine. From a Christianity context, tradition (conservatism) would be the purview of elders, whereas the progressive would be the prophets and other ecstatic types.
from the severe forms inherited from the dominating elites who stood at the center of an organic and qualitative civilization (this being exactly what I call the world of Tradition).
Then power shifts to the mercantile caste, represented by the Italian comune, Freemasonry, the Jewish financial oligarchy of the Renaissance, and New World American Judeo-Protestant plutocracy. By the beginning of the twentieth century, organized labour and Marxist-Trotskyite subverters sought to transfer power to the last caste of slaves or sudras, or the consumer-pariah, reducing all values to matter, machines, dysgenic egalitarianism and the reign of abstract quantity.
en.wikipedia.org...
You didn't explain who Julius Evola was.
"According to Spengler, one of the phenomena that consistently accompanies the terminal phase of a civilization is the "second religiosity." On the fringes of structures of barbaric grandeur - rationalism, practical atheism, and materialism - there spring up sporadic forms of spirituality and mysticism, even irruptions from the super-sensible, which do not indicate a re-ascent but are symptoms of decay.
Who the heck is Spengler and why should I care what he/she thinks?
Oswald Arnold Gottfried Spengler (29 May 1880 – 8 May 1936) was a German historian and philosopher of history whose interests included mathematics, science, and art. He is best known for his book The Decline of the West (Der Untergang des Abendlandes), published in 1918 and 1922, covering all of world history. Spengler's civilization model postulates that any civilization is a superorganism with a limited lifespan.
. . .
His book was a success among intellectuals worldwide as it predicted the disintegration of European and American civilization after a violent "age of Caesarism", arguing by detailed analogies with other civilizations. It deepened the post-World War I pessimism in Europe.[9] German Kantian philosopher Ernst Cassirer explained that at the end of World War I, Spengler's very title was enough to inflame imaginations: "At this time many, if not most of us, had realized that something was rotten in the state of our highly prized Western civilization. Spengler's book expressed in a sharp and trenchant way this general uneasiness".[10] Northrop Frye argued that while every element of Spengler's thesis has been refuted a dozen times, it is "one of the world's great Romantic poems" and its leading ideas are "as much part of our mental outlook today as the electron or the dinosaur, and in that sense we are all Spenglerians".[11]
Spengler's pessimistic predictions about the inevitable decline of the West inspired Third World intellectuals, ranging from China and Korea to Chile, eager to identify the fall of western imperialism.[12][13] In Britain and America, however, Spengler's pessimism was later countered by the optimism of Arnold J. Toynbee in London,[14] who wrote world history in the 1940s with a greater stress on religion.[15]
Isn't that what the Holy Roman Catholic Church represents? And......what's wrong with practical atheism?
Instinct has changed little in our species, the terrain has changed dramatically.
Tradition - Invention_of_tradition
The term "invention of tradition", introduced by E. J. Hobsbawm, refers to situations when a new practice or object is introduced in a manner that implies a connection with the past that is not necessarily present. A tradition may be deliberately created and promulgated for personal, commercial, political, or national self-interest, as was done in colonial Africa; or it may be adopted rapidly based on a single highly publicized event, rather than developing and spreading organically in a population, as in the case of the white wedding dress, which only became popular after Queen Victoria wore a white gown at her wedding to Albert of Saxe-Coburg.[21]
An example of an invention of tradition is the rebuilding of the Palace of Westminster (location of the British Parliament) in the Gothic style.[20] Similarly, most of the traditions associated with monarchy of the United Kingdom, seen as rooted deep in history, actually date to 19th century.[12] Other examples include the invention of tradition in Africa and other colonial holdings by the occupying forces. Requiring legitimacy, the colonial power would often invent a "tradition" which they could use to legitimize their own position. For example, a certain succession to a chiefdom might be recognized by a colonial power as traditional in order to favour their own candidates for the job. Often these inventions were based in some form of tradition, but were exaggerated, distorted, or biased toward a particular interpretation.
Invented traditions are a central component of modern national cultures, providing a commonality of experience and promoting the unified national identity espoused by nationalism. Common examples include public holidays (particularly those unique to a particular nation), the singing of national anthems, and traditional national cuisine (see national dish). Expatriate and immigrant communities may continue to practice the national traditions of their home nation.
Collective Unconcious
Jung contrasted the collective unconscious with the personal unconscious,...Psychotherapy patients, it seemed to Jung, often described fantasies and dreams which repeated elements from ancient mythology. These elements appeared even in patients who were probably not exposed to the original story. For example, mythology offers many examples of the "dual mother" narrative, according to which a child has a biological mother and a divine mother.
. . .
Jung also distinguished the collective unconscious and collective consciousness, between which lay "an almost unbridgeable gulf over which the subject finds himself suspended". According to Jung, collective consciousness (meaning something along the lines of consensus reality) offered only generalizations, simplistic ideas, and the fashionable ideologies of the age. This tension between collective unconscious and collective consciousness corresponds roughly to the "everlasting cosmic tug of war between good and evil" and has worsened in the time of the mass man.[18][19]
Organized religion, exemplified by the Catholic Church, lies more with the collective consciousness; but, through its all-encompassing dogma it channels and molds the images which inevitably pass from the collective unconscious into the minds of people.
Mass Society
Mass society is any society of the modern era that possesses a mass culture and large-scale, impersonal, social institutions.[1] A mass society is a society in which prosperity and bureaucracy have weakened traditional social ties." [2] Descriptions of society as a "mass" took form in the 19th century, referring to the leveling tendencies in the period of the Industrial Revolution that undermined traditional and aristocratic values.
In the work of early 19th century political theorists such as Alexis de Tocqueville, the term was used in discussions of elite concerns about a shift in the body politic of the Western world pronounced since the French Revolution. Such elite concerns centered in large part on the "tyranny of the majority," or mob rule.
. . .
Mass society as an ideology can be seen as dominated by a small number of interconnected elites who control the conditions of life of the many, often by means of persuasion and manipulation.[3] This indicates the politics of mass society theorists- they are advocates of various kinds of cultural elite who should be privileged and promoted over the masses, claiming for themselves both exemption from and leadership of the misguided masses.[4]
It's no wonder that New Agers are rarely coherent, and don't seem to have any unifying thread in their ramblings beyond some vague idea of "energy" and "oneness".
And New Age is inspired by eastern philosophy and quantum physics so the whole being materialistic is a lie. It is in fact opposite to materialism since it believes that the being changes the world around them with their being,
Eckhart Tolle Inner transformation
One night in 1977, at the age of 29, after having suffered from long periods of suicidal depression, Tolle says he experienced an "inner transformation".[8] That night he awakened from his sleep, suffering from feelings of depression that were "almost unbearable," but then experienced a life-changing epiphany.[12] Recounting the experience, Tolle says,
I couldn’t live with myself any longer. And in this a question arose without an answer: who is the ‘I’ that cannot live with the self? What is the self? I felt drawn into a void! I didn’t know at the time that what really happened was the mind-made self, with its heaviness, its problems, that lives between the unsatisfying past and the fearful future, collapsed. It dissolved. The next morning I woke up and everything was so peaceful. The peace was there because there was no self. Just a sense of presence or “beingness,” just observing and watching
Tolle recalls going out for a walk in London the next morning, and finding that “everything was miraculous, deeply peaceful. Even the traffic."[12] The feeling continued, and he began to feel a strong underlying sense of peace in any situation.[7] Tolle stopped studying for his doctorate, and for a period of about two years after this he spent much of his time sitting, “in a state of deep bliss," on park benches in Russell Square, Central London, "watching the world go by.” He stayed with friends, in a Buddhist monastery, or otherwise slept rough on Hampstead Heath. His family thought him “irresponsible, even insane."[14] Tolle changed his first name from Ulrich to Eckhart; by some reports this was in homage to the German philosopher and mystic, Meister Eckhart.[10][15] A 2012 interview article states that he saw the name Eckhart on one of a pile of books in a dream, and knew he had written the book; soon after in real life he ran into a psychic friend who called him Eckhart out of nowhere, so Tolle changed his name.
. . .
In his book A New Earth, Tolle describes a major aspect of the human dysfunction as "ego" or an "illusory sense of self"[39] based on unconscious identification with one's memories and thoughts,[40] and another major aspect he calls "pain-body"[8] or "an accumulation of old emotional pain".[41]
originally posted by: windword
a reply to: pthena
You didn't explain who Julius Evola was.
Nor Spengler!
"According to Spengler, one of the phenomena that consistently accompanies the terminal phase of a civilization is the "second religiosity." On the fringes of structures of barbaric grandeur - rationalism, practical atheism, and materialism - there spring up sporadic forms of spirituality and mysticism, even irruptions from the super-sensible, which do not indicate a re-ascent but are symptoms of decay.
Who the heck is Spengler and why should I care what he/she thinks? What is barbaric grandeur? Isn't that what the Holy Roman Catholic Church represents? And......what's wrong with practical atheism? I happen to identify with practical atheism!
a reply to: DiggerDogg
OP, can you give us an example of how super-sensibility is a symptom of spiritual decay?
Christianity proliferated itself so well because it's philosophy was evident to the people of that era.
originally posted by: windword
a reply to: DiggerDogg
Christianity proliferated itself so well because it's philosophy was evident to the people of that era.
What philosophy would that be? The evidential philosophy that was proliferated by the end of a sword; "Profess Jesus is Lord or die!"?
There is nothing evident about Christianity. What is evident is that people are comforted by the (immoral) idea of a scapegoat who supposedly paid for their sins.