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Byrd
Also notice that most of the damage is to the figures at the edges of the blocks... and not to the ones in the middle. That does argue some natural forces at work in some of them.
HOWEVER... I'm not an expert on this temple, so take that observation with about a truckload of salt.
Byrd
Tsurugi
Pick a few of the ones you're most interested in and I'll upload the 18 megapixel versions for you to study. C'mon, you know you want to!
I'll make you a deal -- link ones with clear texts or things you're curious about and I'll give you the scoop on them.
These temples, built around 1200-1100 BC were mostly ruined rubble in modern times. They've been reconstructed, so the blocks could have been scattered all over the landscape and other things happened to them. The archaeologists working on the temple would have some idea -- and yes, for some types of sandstone or limestone the wind can blast off chunks.
I think, based on the points I listed, that we can eliminate 1-5 and 8, leaving revisionists, usurpers, or theology as the possible reasons.
Actually, you can't eliminate those.
Would a usurper pharaoh erase gods for some reason? Or does that mean that this is probably theological, rather than usurpation?
Theological or mischievous, yes. However, no pharaoh would destroy pictures of these deities in appropriating the temple for themselves. They'd erase the names of other pharaohs (this often leads to some really wacky inscriptions) but not the names or images of the gods. So this destruction occurred more recently.
Tsurugi
Byrd
Also notice that most of the damage is to the figures at the edges of the blocks... and not to the ones in the middle. That does argue some natural forces at work in some of them.
HOWEVER... I'm not an expert on this temple, so take that observation with about a truckload of salt.
You said, in a previous post, "The real answer is 'I don't know.'" That is scientifically honest, which I respect. But it also makes me wonder if you are worried I might take anything you say in response to my innumerable questions as the definitive, conclusive, final answer on the subject.
This makes me want to ask you questions, to give you the opportunity to speculate, using your knowledge as a guide. I would at no time consider such speculations to be anything but what they were: speculations from a person knowledgeable in the subject in which they were speculating.
But you don't really seem to want to speculate, so...I will stop attempting to get you going, lol.
PS: But I have to ask...do you really think it is perhaps possible that natural forces caused that damage? Or were you just further indicating your reluctance to rule out any possible cause?
IamLael
Those pictures are fantastic. I was there at about the same time as your uncle. Did he go to Luxor and Abu Simbel?
Did he cruise the Nile?
I'd pay for a disk of those photos
--took me right back to being there and way better than the pictures I took. Glad you posted them but would love to have all his pictures of the sites if it's possible.
I absolutely love the style of AE relief carvings, but I gotta say, sometimes the headgear on the figures is crazy. I recall reading somewhere that none of those wildly elaborate "crowns" have ever been found, so they are considered to have been purely symbolic, indicative of the wearer's position, epithets, and so on, is that correct? The guy on the right must be the god of ninepins.
Byrd
Rather than pretend or speculate, I think it's better to give an honest answer.
Wait until I learn the basics first!!!
Actually, I do have an idea which is a good direction for research -- so many of the artifacts have an unknown provenance (someone bought them from someone back in the 1700's-1800's and then later donated them to a museum). This means that it's impossible to trace the history of the development of deities that don't have chapels (the god Bes is one of these). I have half an idea that information on the collectors could actually give better information about the objects (in other words, someone has a clear preference for certain styles or certain dealers or certain areas of Egypt.)
...but that has to wait till I learn more about things.
I do know that the walls have been restored (but I don't know which blocks were) -- and it's pretty easy to see that the columns were in fragments before being restored (look for large areas on the columns that do NOT have hieroglyphs. It's not because they were eroded off -- that's stone that was missing completely. When they restored the building, they poured (concrete) a shape to replace the missing stones and colored it to match the temple. ) So if they fell onto a hard pavement (face down) you could get that kind of shattering damage on the raised portions.
Tsurugi
reply to post by TiM3LoRd
The Department of Antiquities Library of Egyptology, which contained many priceless one of a kind ancient texts, was burned to the ground. Central and on-site museums were broken into and looted.
Byrd
No, I'm not bored yet!!! And for some reason, the image of the pigeons sitting so nonchalantly on the colossus is amusing to me.
This delightful image is a bit of royal propaganda -- the two figures at the bottom are Set and Horus binding together two plants that represents the unification of Upper Egypt and Lower Egypt. I can't make out the cartouche name, but I do see the "lord of two lands" title written out in the upper middle.
And this is the mortuary temple of Hatshepsut, dedicated to Amon-Ra (I can see his image on some of the pillars)
SovannaMaccha
reply to post by Tsurugi
I was contemplating this image for a long time
[snip pic]
before I came to your comment
I absolutely love the style of AE relief carvings, but I gotta say, sometimes the headgear on the figures is crazy. I recall reading somewhere that none of those wildly elaborate "crowns" have ever been found, so they are considered to have been purely symbolic, indicative of the wearer's position, epithets, and so on, is that correct? The guy on the right must be the god of ninepins.
I looked through all your pictures again, and some do show amazing headgear and crowns, but none with the half-moon underneath as in that crown.
the top part seems to be the stylized double feathers, the swyt, which is sometimes depicted on top of the head, even if mostly in connection with the atef-crown. but none on your pictures nor any that I recall show a half-moon in such a way.
here a link to Egyptian Crowns but nothing there that would resemble the one in your picture.
not to get off topic, but that crown did remind me a bit of the Mongolian flag, especially the top part symbol often used by itself. it is also often seen on top of stupas.
do you have more information on that crown in your photo ?